Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
John Smith is an amoral gunslinger in the days of Prohibition. On the lam from his latest (unspecified) exploits, he happens upon the town of Jericho, Texas. Actually, calling Jericho a town would be too generous--it has become more like a ghost town, since two warring gangs have 'driven off all the decent folk.' Smith sees this as an opportunity to play both sides off against each other, earning himself a nice piece of change as a hired gun. Despite his strictly avowed mercenary intentions, he finds himself risking his life for his, albeit skewed, sense of honor.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The car driven into Jericho, Texas by John Smith (Bruce Willis) and damaged by Doyle's henchmen is a 1928 Ford Model A, Coupe. See more »
At the beginning of the film, after ordering a whiskey, John Smith (Bruce Willis) is eating from a bowl. The bowl was not visible before hand on the bar, and Joe Monday (William Sanderson) did not fill a bowl from the stove behind the bar. See more »
It's a funny thing. No matter how low you sink there's still a right and wrong. You always end up choosing. You go one way so you can try to live with yourself. You go the other, you'd still be walkin' around, but you're dead and you don't even know it.
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I've become a big fan of Walter Hill's movies and this one is as good as ever. It's not a particularly cheery film, but it's still enjoyable. Bruce Willis and Christopher Walken are both terrific in their roles. Walken plays as good a bad guy as ever, and Willis is good as the ambiguous lead character.
The gun battles are staged excellently and the music by Ry Cooder works very well with the picture. It's very much a guy film, though. There are only two women who play big parts in the film, but they don't appear very often.
I give LMS 7/10. It's a moody piece but enjoyable.
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