Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
John Smith is an amoral gunslinger in the days of Prohibition. On the lam from his latest (unspecified) exploits, he happens upon the town of Jericho, Texas. Actually, calling Jericho a town would be too generous--it has become more like a ghost town, since two warring gangs have 'driven off all the decent folk.' Smith sees this as an opportunity to play both sides off against each other, earning himself a nice piece of change as a hired gun. Despite his strictly avowed mercenary intentions, he finds himself risking his life for his, albeit skewed, sense of honor.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The weapon of choice for John Smith is the government model Colt 1911 A1 45 Automatic of which he carries a brace in a double shoulder holster rig. In one scene it is evident that he also carries upwards of 25 spare 7 round magazines for his pistols. See more »
(From 1:13:30 to 1:13:40) In the opening scenes of "Ira, You Are The Man", the sprinkler system used to make it rain has two of the sprinkler heads and piping clearly visible at the top of the screen where the lightning is flashing. See more »
It's a funny thing. No matter how low you sink there's still a right and wrong. You always end up choosing. You go one way so you can try to live with yourself. You go the other, you'd still be walkin' around, but you're dead and you don't even know it.
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This is simply what the above headline states: an ultra-violent movie done is stylish cinematography. Walter Hill, a nasty director who does this sort of thing (violent, profane films but usually with great visual appeal) did it in spades on this one. This is testosterone gone berserk.....and very entertaining.
Actually, I enjoy watching this film and don't apologize for it, although it has no "redeeming qualities." However, I love the old-fashioned narration, here done by Bruce Willis in great Mickey Spillane/Mike Hammer-style, the period in which it's done (1930s) and the great colors in here. Love those orange colors!! This looks tremendous on DVD with a good flat-screen set.
If I'm feeling in the need of seeing a violent crime film, this usually fills the bill. It's a fun flick. I could do worse.
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