Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
Comedy about the people who inhabit a small town. For years the overbearing Pavek has endured Otik, the "town idiot," sharing his meals and the front seat of their dump truck. But Otik is ... See full summary »
Two families, Sebkovi and Krausovi, are celebrating christmas, but not everyone is in a good mood. Teenage kids think their fathers are totaly stupid, fathers are sure their children are ... See full summary »
In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true ... See full summary »
Two guys bought a car and travelled through the country untill they met a lonely girl on the road. So they begin to travel together having so much fun. And there is another guy who has a ... See full summary »
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing at funerals and painting tombstones. But he has run up a large debt, and when his friend, the grave-digger Mr. Broz, suggests a scheme for making a lot of money by marrying a Russian woman so that she can get her Czech papers, he reluctantly agrees. She takes advantage of the situation to emigrate to West Germany, to her lover; and leaves her five-year-old son with his grandmother; when the grandmother dies, Kolya must come and live with his stepfather - Louka. Written by
Gary Dickerson <firstname.lastname@example.org>
After Kolya becomes lost on the subway network and is trying to negotiate the escalator, he is trying to step onto the left hand side of the up escalator. However, from Kolya's point of view shot, he is trying to step onto the right hand side of the up escalator. See more »
I am neither Czech nor European. I grew up appreciating the fine Czech cinema of Milos Forman, Jan Kadar and Jiri Menzel. While "Kolya" is refreshing compared to American standards, it lacks the maturity of say Kadar's "Lies my father told me" (Golden Globe winner for best foreign film in 1976) made in Canadaa film in English with a Czech heart and soul or Forman's "Loves of a blonde" (also about music and musicians).
Czech cinema gives a lot of importance to classical Western music. In "Kolya," the emphasis is on Dvorak's Biblical songs"The Lord is my shepherd" being one. The film might not appear to be religious but interestingly many of Czech filmmakers seem to use religion without making it obvious. (In neighboring Poland, Kieslowski loved to do this to the extent that he made a series of 10 films called "Dekalog" linked to the Ten Commandments.) In the film the child inexplicably swears "Jesus Christ" in Russian. The underlying analogy of a child redeeming the life of wayward adults with no purpose in life is not a surprising turn for east European directors who couch religion in non-religious ambiance. Is it a coincidence that church steeples are visible from the windows and crosses are drawn by a child? As a film, this is at best a good Czech film--nothing more. There have been better Czech films unknown to American and West European audiences.
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