Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
Comedy about the people who inhabit a small town. For years the overbearing Pavek has endured Otik, the "town idiot," sharing his meals and the front seat of their dump truck. But Otik is ... See full summary »
A nurse and her surgeon-lover are part of a resistance movement in 1940s Czechoslovakia. When they are discovered, her lover flees and she must find a place to hide. A patient whose life ... See full summary »
Two families, Sebkovi and Krausovi, are celebrating christmas, but not everyone is in a good mood. Teenage kids think their fathers are totaly stupid, fathers are sure their children are ... See full summary »
Two guys bought a car and travelled through the country untill they met a lonely girl on the road. So they begin to travel together having so much fun. And there is another guy who has a ... See full summary »
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing at funerals and painting tombstones. But he has run up a large debt, and when his friend, the grave-digger Mr. Broz, suggests a scheme for making a lot of money by marrying a Russian woman so that she can get her Czech papers, he reluctantly agrees. She takes advantage of the situation to emigrate to West Germany, to her lover; and leaves her five-year-old son with his grandmother; when the grandmother dies, Kolya must come and live with his stepfather - Louka. Written by
Gary Dickerson <firstname.lastname@example.org>
Set in the twilight of Communist rule in Czechoslovakia, we find Louka, a 55-year old confirmed bachelor, blacklisted concert cellist, and womanizer, struggling to make ends meet. He's slipping further into poverty when he agrees to participate in a scam to save a Russian woman from deportation by marrying her. She promptly flees to the West, leaving Louka with her 5 year old, Russian-speaking son, Kolya. Predictable, with Disneyesque warmth, "Kolya" is still a very effective movie. Well directed and acted it does not rush Louka's slow realization of his capacity to love, pried out by his young, innocent ward. Setting the story against the backdrop of the approaching Velvet Revolution emphasizes Louka's spiritual growth. As good as this movie is, I'm surprised how poorly it is perceived by IMDb's younger viewers. It deserved its Academy Award and deserves a rental.
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