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Directed by | |||
| Lynne Stopkewich | |||
Writing credits | ||
| Angus Fraser | (screenplay) & | |
| Lynne Stopkewich | (screenplay) | |
| Barbara Gowdy | (based upon an original story "We So Seldom Look on Love" by) | |
Produced by | |||
| Dean English | .... | producer | |
| Jessica Fraser | .... | associate producer | |
| John Pozer | .... | executive producer | |
| Lynne Stopkewich | .... | producer | |
Original Music by | |||
| Don MacDonald | (original score by) (as Don Macdonald) | ||
Cinematography by | |||
| Gregory Middleton | (director of photography) | ||
Film Editing by | |||
| John Pozer | |||
| Peter Roeck | |||
| Lynne Stopkewich | |||
Casting by | |||
| Wendy O'Brien | (as Wendy O'Brien Livingstone) | ||
Production Design by | |||
| Eric McNab | |||
Art Direction by | |||
| Darryl Dennis Deegan | |||
Set Decoration by | |||
| Laura Morrison | |||
Costume Design by | |||
| Barb Nixon | |||
Makeup Department | |||
| Zoleika Brahmand | .... | assistant makeup artist | |
| Sylvie Gendron | .... | hair stylist: additional photography | |
| Sylvie Gendron | .... | makeup artist: additional photography | |
| Naomi Hirano | .... | hair stylist: additional photography | |
| Naomi Hirano | .... | makeup artist: additional photography | |
| Jason Palmer | .... | assistant special effects makeup | |
| Danna Rutherford | .... | assistant makeup artist | |
| Adina Shore | .... | hair stylist (as Adina) | |
| Adina Shore | .... | makeup artist (as Adina) | |
Production Management | |||
| Wendy Hyman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ingrid Dabringer | .... | trainee assistant director | |
| Jessica Fraser | .... | third assistant director | |
| Michael Gazetas | .... | first assistant director | |
| Peter Roeck | .... | second assistant director | |
Art Department | |||
| Kevin J. Andruschak | .... | art department assistant (as Kevin Andruschak) | |
| Steve Barlow | .... | art department assistant | |
| Bruno Coupe | .... | art department assistant (as Bruno Coupé) | |
| Allan Devries | .... | art department assistant | |
| Sean Elliot | .... | art department assistant | |
| Sabrina French | .... | art department assistant | |
| Stephen Hawryshko | .... | on-set graphic designer | |
| Lisa Lev | .... | on-set dresser | |
| Michael Lien | .... | art commando (as Mike Lien) | |
| Don Macaulay | .... | assistant art director (as Don MacAulay) | |
| Anne MacDonald | .... | set dresser (as Anne Macdonald) | |
| Jayne Mason | .... | scenic painter | |
| Martin H. Nielsen | .... | set dresser: additional photography (as Martin Nielsen) | |
| Sean Osborne | .... | scenic painter | |
| Ward Phillips | .... | art department assistant | |
| Jan Wade | .... | contributing artist | |
| Gregory Wild | .... | set dresser: additional photography | |
Sound Department | |||
| David Ballard | .... | location sound mixer | |
| Hal Beckett | .... | sound editing facility: Western Post Productions | |
| Francesca Benedetti | .... | sound effects recordist | |
| Jacque Blackstone | .... | adr recordist (as Jacques Blackstone) | |
| Jacque Blackstone | .... | foley recordist (as Jacques Blackstone) | |
| Kelly Cole | .... | sound pre-mix | |
| Anthony Couture | .... | boom operator: additional photography | |
| Pat Dodds | .... | recordist: broadcast | |
| James Fonnyadt | .... | sound effects editor | |
| James Genn | .... | sound effects editor | |
| Dean Giammarco | .... | sound re-recording mixer | |
| John Hazen | .... | temporary sound mix | |
| John Locke | .... | sound effects recordist | |
| Robert McDonagh | .... | location sound mixer: additional photography (as Rob McDonagh) | |
| Marti Richa | .... | background editor | |
| Marti Richa | .... | sound designer | |
| Marti Richa | .... | sound editor | |
| Marti Richa | .... | sound effects editor | |
| Paul A. Sharpe | .... | sound re-recording mixer | |
| Bill Sheppard | .... | sound mix supervisor | |
| Issac Strozberg | .... | background editor (as Isaac Strozberg) | |
| Bruce Sweeney | .... | boom operator | |
| Susan Taylor | .... | dialogue editor | |
| Susan Taylor | .... | sound designer | |
| Susan Taylor | .... | sound editor | |
| Andrew Tiesson | .... | recording assistant | |
| Kerry Uchida | .... | sound effects editor | |
| Bill Mellow | .... | sound re-recording mixer (uncredited) | |
| Susan Taylor | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Kevin House | .... | special effects props | |
Stunts | |||
| Jim Dunn | .... | stunt coordinator | |
| Kevin Stubbs | .... | stunt coordinator | |
Casting Department | |||
| Blair Law | .... | extras casting | |
| Sherry Lynn Smith | .... | extras casting (as Sherry-Lynn Smith) | |
Costume and Wardrobe Department | |||
| Candace Cruikshank | .... | costumer | |
| Deborah Fraser | .... | costumer | |
Editorial Department | |||
| Marina Adam | .... | post-production assistant | |
| David Armstrong | .... | timer: Alpha Cine Services (as Dave Armstrong) | |
| Gay Black | .... | negative cutter | |
| Franci Duran | .... | post-production coordinator | |
| Larry Engelmann | .... | final colorist | |
| Catherine Hamm | .... | negative cutter | |
| Allan Lee | .... | consultant: editing | |
| Kent McGrew | .... | timer: Duart Film & Video | |
| Jon Robertson | .... | film transfer: Post Haste | |
| Peter Roeck | .... | first assistant editor | |
| Grace Yuen | .... | second assistant editor | |
Music Department | |||
| Ric Arboit | .... | music consultant: Nettwerk Records | |
| Joseph Pepe Danza | .... | musician: percussion (as Joseph 'Pepe' Danza) | |
| Alison Girvan | .... | vocals | |
| Don MacDonald | .... | score arranger (as Don Macdonald) | |
| Don MacDonald | .... | score producer (as Don Macdonald) | |
| Don MacDonald | .... | vocals (as Don Macdonald) | |
| Karen Mang | .... | vocals | |
| Alexandria Stuart | .... | music consultant: Unforscene Music | |
| Kristy Lee Thirsk | .... | vocal wailing | |
Thanks | |||
| Tom Adair | .... | special thanks: IATSE Local 891 | |
| Graeme Ball | .... | special thanks | |
| Hal Beckett | .... | special thanks: Western Post Productions | |
| Rolf Biepper | .... | special thanks | |
| Karin Brooks | .... | acknowledgment: Hall of Heroes | |
| Ryan Clarke | .... | special thanks: Western Post Productions | |
| Brian De Paoli | .... | acknowledgment: League of Champions (as Brian Depaoli) | |
| Lisa Doyle | .... | special thanks | |
| Frida English | .... | special thanks | |
| J.T. English | .... | acknowledgment: Patron Saints | |
| Peggy English | .... | acknowledgment: Patron Saints (as Peggy) | |
| Michelle Floyd | .... | special thanks | |
| Marjorie Fordham | .... | special thanks | |
| David Fraser | .... | acknowledgment: Patron Saints | |
| Janet Fraser | .... | acknowledgment: Patron Saints (as Janet) | |
| Murray Gibson | .... | special thanks | |
| William Gordon | .... | acknowledgment: League of Champions | |
| Alison Grace | .... | special thanks | |
| Linda Hay | .... | special thanks (as Linda Guns) | |
| Winston Helgason | .... | special thanks | |
| Kelly Herron | .... | special thanks: Western Post Productions | |
| Byron Jah | .... | special thanks | |
| Sandra Jensen | .... | special thanks: ACTRA | |
| Ori Kowarsky | .... | special thanks | |
| Allan Lee | .... | acknowledgment: Hall of Heroes | |
| Roger Levins | .... | special thanks: Greenhouse Studios | |
| R. Marty Lewis | .... | special thanks: Keystone Entertainment Inc. (as Marty Lewis) | |
| Greg Malcolm | .... | acknowledgment: League of Champions | |
| Leah Mallen | .... | special thanks | |
| Richard Martin | .... | special thanks | |
| Paul McGillion | .... | special thanks | |
| Eric McNab | .... | acknowledgment: Hall of Heroes | |
| Wendy Mentiply | .... | special thanks | |
| Susan Mundy | .... | special thanks: ACTRA | |
| Dianne Neufeld | .... | special thanks: BC Film Commission (as Diane Neufeld) | |
| Denise Newvine | .... | special thanks: BMS Telephone Services | |
| Joanna Piros | .... | special thanks (as Joanna Peiros) | |
| Michael Potkins | .... | special thanks: Keystone Entertainment Inc. (as Mike Potkins) | |
| Doris Pozer | .... | special thanks | |
| John Pozer | .... | acknowledgment: Patron Saints | |
| Leslie Richardson | .... | special thanks | |
| Peter W. Roeck Sr. | .... | special thanks: P. Rock Ltd. (as Peter Roeck Sr.) | |
| Maria Roeck | .... | special thanks: P. Rock Ltd. (as Maria) | |
| Debra Rurak | .... | special thanks (as Deb Rurak) | |
| Patty Shom Moffat | .... | special thanks | |
| Cal Shumiatcher | .... | special thanks (as Cal Schumiacher) | |
| Audrey Skalbania | .... | special thanks | |
| Kent Sparling | .... | special thanks: Western Post Productions | |
| Kevin Speckmaier | .... | special thanks | |
| Diana Stevan | .... | special thanks | |
| Emily Stopkewich | .... | acknowledgment: Patron Saints (as Emily) | |
| Walter Stopkewich | .... | acknowledgment: Patron Saints | |
| Michael Strange | .... | acknowledgment: League of Champions | |
| Michael Strange | .... | special thanks: Keystone Entertainment Inc. | |
| Carolyn Taylor | .... | acknowledgment: League of Champions | |
| Robert Vince | .... | acknowledgment: League of Champions | |
| Robert Vince | .... | special thanks: Keystone Entertainment Inc. | |
| William Vince | .... | special thanks: Keystone Entertainment Inc. (as Bill Vince) | |
| Andrew Walker | .... | acknowledgment: League of Champions | |
| Scott Watson | .... | special thanks: Western Post Productions | |
| Jan Whitford | .... | special thanks: Westwood Creative Artists | |
| Don Woodman | .... | acknowledgment: League of Champions | |
| Peter Wunstorf | .... | acknowledgment: League of Champions | |
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| So Sweet, So Dead | Elegy | The Pillow Book | Venus in Furs | I Am Love |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
There is no more natural preoccupation than death. Everyone is aware that they are going to die but no one knows precisely what death is. We all come to terms with our mortality in our own way. Most of us try to think about death as little as possible, choosing denial. Some turn to religion for comforting beliefs about death, others embrace a "death culture", as Goths do. A very small number of people embrace death to the extent that cadavers become sexually attractive to them.
Kissed is a beautiful story about a young woman named Sandra who explores death through necrophilia. When Matt, a fellow student she becomes romantically involved with, becomes infatuated with her he desperately tries to understand her and to incorporate himself into her necrophilic lifestyle.
They both, each in their own way, use the powerful nature of love and lust to explore their feelings about death.
The acting is both professional and believable and the audience can relate to the complex characters even though none of us is ever likely to personally experience such a bizarre situation. Even when Matt's need to be loved by Sandra makes him strange and frightening, the story only feels more familiar when we realize how much we have changed ourselves for lovers. Isn't life about finding someone to love before the time is up?
The sex and nudity are artistic, not pornographic. I went away from this movie feeling like I had witnessed something important and special. It may be disturbing at times, but Kissed is never revolting. I would not have believed that a movie about this subject matter could be so beautifully and sensitively made. If you ever find yourself anxious about death or plan to die someday, I highly recommend this passionate exploration of our most primal fear.