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Khamoshi: The Musical (1996)

7.5
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Goa based Joseph Braganza and his wife Flavy, devout Catholics, are both deaf and mute. He makes a living selling soap bars door to door. Flavy gets pregnant and gives birth to a daughter ... See full summary »

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Cast

Credited cast:
Nana Patekar ...
Joseph
...
Raj
...
Annie
...
Flavy
Helen ...
Maria
Himani Shivpuri ...
Raj's Mother
Raghuvir Yadav ...
Willie
Rest of cast listed alphabetically:
Priya Parulekar ...
Young Annie
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Storyline

Goa based Joseph Braganza and his wife Flavy, devout Catholics, are both deaf and mute. He makes a living selling soap bars door to door. Flavy gets pregnant and gives birth to a daughter who they name Annie, who can speak and hear much to their delight. Flavy soon gives birth to a son, Sam, who can also hear and speak. A few years later, Sam accidentally passes away, making Joseph lose faith. Joseph, unable to make a living selling soap, opens a toy making factory and the family prospers. Annie grows up, takes to music and singing in a great way, meets with a young man named Raj and both fall in love. Joseph dislikes Raj, mainly because he is Hindu, is able to speak and hear, not a resident of Goa, and the fear of losing Annie forever and thus their contact with the world. When Annie gets pregnant, Joseph is enraged, he asks her to abort, when she refuses, he asks her to leave his house. What will Annie do next? Will Joseph, Flavy and Annie ever re-unite. Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Taglines:

When music shatters the barriers of silence!

Genres:

Drama | Musical | Romance

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Details

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Language:

Release Date:

9 August 1996 (India)  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

(DVD)

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Madhuri Dixit was Sanjay Leela Bhansali's first choice for his directorial debut. Only when Madhuri refused the project did Bhansali sign the second option - Manisha Koirala. See more »

Quotes

Raj: [to Annie about her parents] They will not be able to hear you, but they will be able to feel you.
See more »

Soundtracks

Yeh Dil Sun Raha Hai
Written by Majrooh Sultanpuri
Composed by Jatin Pandit and Lalit Pandit
Performed by Kavita Krishnamurthy
Courtesy of PolyGram Music India
See more »

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User Reviews

 
The Musical Silence
5 April 2001 | by (Los Angeles) – See all my reviews

Sanjay Leela Bhansali, previously associate director to the talented Vinod Chopra, makes his directorial debut with a sensationaly complex piece of work. The film faired moderately at the box office and one wonders why?? This is undoubtedly one of the finest examples of commercial entertainment merging with what is referred to in India as "Art Cinema." Yes, the film is an out and out musical, but never do the songs hamper the narrative even once. Bhansali's ability to weave the songs in order to progress the narrative was also wonderfully displayed in his film "Hum Dil De Chuke Sanam."

One would wonder how it is possible to leave two characters who are both deaf and unable to speak, to develop themselves on their own. But Nana Patekar and Seema Biswas (Bandit Queen) have given their most impressive and sincere performances yet. Manisha as the girl stuck between her love for music and her love for her parents portrays the multiple complexities of the character very effectively. Salman Khan does his usual satisfactory job as the lover boy. However, the real winner of the film is the script also written by Bhansali himself.

The story is simply wonderful, and as is characteristic of Bhansali, instead of making the story complex, he makes his characters complex. To watch Patekar and Biswas play their roles is simply a lesson in acting. The cinematography by Anil Mehta is simply brilliant, effectively creating the carnival like atmosphere of GOA along with a noir-ish feel that compliments the dark complexity of the characters.

And alas - the music. Jatin and Lalit who have tended to focus on very Indian sounds in their previous works have somehow managed to fuse in the feel of Portuguese folk sounds into their very Indian tunes - characteristic of the entire feel of Goa. The lyrics are well thought out and simple to progress the narrative. Bhansali's grip over his subject is impeccable and he displays his mastery in the art of mainstream Indian filmmaking to the fullest. This is a man to watch out for in the future.

Overall, this movie is simply not to be missed. Sure, it has its minor flaws here and there but when one looks at the wonderful feel it creates for the viewer, all flaws can be overlooked. What sets this film apart from the usual churns is that the film actually has a STORY. It actually has CHARACTERS rather than just STARS and celebrities in it. It packs in a lot of meat. This is how entertainment and art should be blended. It is good to see yet another filmmaker joining the band of contemporary directors like Mani Ratnam, Shekar Kapur, Ramgopal Varma and Mahesh Bhatt who have succeeded in their quest to erase that line separating commerical and "Art" cinema.


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