Richter Boudreau, the son of local celebrity Cynthia, is not very successful and works as a film critic for a local newspaper. In a short time he loses his job and his heritage, and one of ...
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When Sarah walks alone along the desolate beach one day she find an unconscious man, who has been brought to land by the waves. When he awakens he doesn't remember anything. He has no name ... See full summary »
Richter Boudreau, the son of local celebrity Cynthia, is not very successful and works as a film critic for a local newspaper. In a short time he loses his job and his heritage, and one of his "friends" starts to blackmail him. His only hope is that others around him are even bigger dummies. Written by
Keys To Tulsa spends most of its two-hour length teetering on the brink of being a convoluted mess, but the wit and charm of the script and the cast combine to make it a worthwhile watch. Eric Stoltz is hilarious as the hapless Richter, delivering some great one-liners and generally appearing to enjoy the hell out of most of the movie despite his character's fairly pathetic situation. There are a lot of characters with a lot of back story in Keys To Tulsa, and at times it's easy to forget who has done what to whom. (There are also three characters named Richter, Victor and Vicki in this movie, which may work on paper, but phonetically it's a little jarring, and there's no apparent reason for them to have such similar-sounding names.) Overall, though, it works as kind of a slapsticky film noir. Mary Tyler Moore is a scream as Richter's mother, and Michael Rooker is reliably freaky as Richter's childhood friend. Give this one a shot. It's not what you'd call high art, but it's a lot of fun.
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