Kansas City (1996)

Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930's Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »

Director:

Robert Altman

Writers:

Robert Altman, Frank Barhydt

Stars:

Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte

3 wins & 1 nomination.

Cast

Cast overview, first billed only:
Jennifer Jason Leigh	...	Blondie O'Hara
Miranda Richardson	...	Carolyn Stilton
Harry Belafonte	...	Seldom Seen
Michael Murphy	...	Henry Stilton
Dermot Mulroney	...	Johnny O'Hara
Steve Buscemi	...	Johnny Flynn
Brooke Smith	...	Babe Flynn
Jane Adams	...	Nettie Bolt
Jeff Feringa	...	Addie Parker
A.C. Tony Smith	...	Sheepshan Red (as A.C. Smith)
Martin Martin	...	'Blue' Green
Albert J. Burnes	...	Charlie Parker
Ajia Mignon Johnson	...	Pearl Cummings
Tim Snay	...	Rally Speaker
Tawanna Benbow	...	Rose

Storyline

Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930's Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held at the Hey Hey Club, she lauches a desperate plan to release him. She kidnaps the wife of a powerful local politician in an attempt to blackmail him into using his connections to free Johnny. Despite this being election time, he risks exposure by putting the political machine into action to free Johnny and thereby save his wife. Mrs. Stilton, meanwhile, has befriended Blondie and is impressed by her love and devotion to Johnny, especially in contrast to her own loveless marriage.

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Plot Keywords:

politician | election | 1930s | kansas city | opium addict | 

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Taglines:

Kansas City, 1934. Anything could happen here. One night it did.

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Genres:

Crime | Drama | Music | Thriller

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Motion Picture Rating (MPAA)

Rated R for language, and for some violence and drug use

Details

Official Sites:

Fine Line

Country:

France USA

Language:

English

Release Date:

16 August 1996 (USA)

Filming Locations:

Kansas City, Kansas, USA

Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend:

$432,183 (USA) (16 August 1996)

Gross:

AUD 61,051 (Australia) (1 November 1996)

Company Credits

Production Co:

CiBy 2000, Sandcastle 5 Productions

Technical Specs

Runtime:

116 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The movie is partially based on a true incident. In 1933, Mary McElroy, the opium-addicted daughter of Henry McElroy, Kansas City's City Manager, was kidnapped from her home by a group of amateur kidnappers. After a $30,000 ransom was paid, Mary McElroy was released unharmed. Her four kidnappers were later caught and sentenced to life in prison.

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Goofs

After his wife is kidnapped by a robber's wife, Stilton uses a phone to enlist the aid of the governor to free the robber, who is being held by some Kansas City jazz club characters he ripped off. And the governor complies, even though Stilton never identifies the robber by name, the name of the people who were robbed or even the name of the club were the robber is being held captive.

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Quotes

Carolyn Stilton: He's got a lot of customers.
Blondie O'Hara: Those aren't customers, those are voters. They ship 'em from all over the state. Each of 'em vote ten, twelve times. Used to get their names outta the cemetary, but I don't even think they bother anymore.
Johnny Flynn: [to crowd of men] You'll be exercising your God-given right to vote. However, you'll be voting the way I tell you to vote, and as many times as I tell you. That understood? Understood? Shut up!
Carolyn Stilton: Democrats do that?
Blondie O'Hara: Democrats? They're what they're paid to be. This is ...

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Connections

References Hold Your Man (1933)

User Reviews

A Fantastic Film with a Bonus of Great Music

Bottom line, whether you love or hate "Kansas City" will depend on your reaction to Jennifer Jason Leigh's performance. Leigh's character Blondie anchors the story as a desperate wife trying to save her husband from the gangsters he tried to rob. Leigh looks great in this role, she is fit and trim which makes her face cuter and her character more fragile looking. The contrast between her almost angelic appearance and her tough persona is intentional because the toughness is an affectation, qualities she has adopted because she loves her husband and they are a turn-on for him.

Her's is the key performance of the film, the twist is her emulation of Kansas City native Jean Harlow ("The Public Enemy" and "Girl from Missoui"). Watch Harlow in "Red Headed Woman" and you will see the incredible physical resemblance between the two actresses. Personally I found it both touching and humorous; her character worthy of the brave heroine hall of fame. But it is almost a caricature and some viewer will be put off by this tiny woman talking so tough.

As in "Nashville", there are great songs (but jazz rather than country) throughout the film. It is important to realize that "Blondie's" behavior is intended to mirror the "cutting contests" between the jazz musicians on-stage at the club. Just as the musicians borrow from one another and weave each others stuff into what they are improvising, "Blondie" borrows from the movies and weaves Harlow's tough girl phrases and expressions into her conversation.

Leigh and Miranda Richardson spend most of the film in each other's company. Although Richardson's character is doped up on laudanum (tincture of opium) most of the time, you get the idea that she is taking in a lot more of the situation than she is letting on. There is almost a "Thelma and Louise" quality to their relationship, in part because Leigh doing Harlow ends up sounding a lot like Geena Davis doing Geena Davis. The two women are polar opposites in the way they react to the desperation in their lives; one has lost all restraint, the other has lost everything but restraint.

Richardson's character is unexpectedly touching. An emotional bond is subtly forged between the two women as the film proceeds, with Richarson gradually becoming totally protective of her kidnapper. The ending is shocking but you understand the motivation, then looking back you pick up on the various foreshadowing devices that Altman placed throughout the film. He goes out with a bass duet of Duke Ellington's "Solitude" performed by Ron Carter and Christian McBride.

Like many films with downbeat endings, "Kansas City" is destined to be more appreciated 25 years after its release.