The Juror (1996)

R  |   |  Drama, Thriller  |  2 February 1996 (USA)
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Ratings: 5.5/10 from 13,455 users  
Reviews: 60 user | 27 critic

When Annie Laird is selected as a juror in a big Mafia trial, she is forced by someone known as "The Teacher" to persuade the other jurors to vote "not guilty". He threatens to kill her son... See full summary »



(novel), (screenplay)
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1 win & 1 nomination. See more awards »



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Cast overview, first billed only:
Joseph Boffano
Frank Adonis ...


When Annie Laird is selected as a juror in a big Mafia trial, she is forced by someone known as "The Teacher" to persuade the other jurors to vote "not guilty". He threatens to kill her son if she doesn't commit. When the trial is over, he can't let her go... Written by Thomas Meyer <>

Plot Summary | Plot Synopsis


There is no defense.


Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and sexuality | See all certifications »

Parents Guide:





Release Date:

2 February 1996 (USA)  »

Also Known As:

A Jurada  »

Box Office


$44,000,000 (estimated)


$44,834,712 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| (8 channels)|


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Anne Heche who plays Juliette in the movie, would later star alongside Demi Moore's now ex husband Ashton Kutcher in "Spread" See more »


After Annie has spoken to Juliet for advice, she goes to hug Oliver and his right arm is on her left shoulder. In the opposite shot of Oliver, his right arm is down below her left arm, Annie's hand changes to the top of Oliver's head. When the shot changes back, Oliver's arm is back on her shoulder again. See more »


Teacher: Hey Joseph... Look at your old man
[Joseph sees Louie being blown up by a concealed bomb]
See more »


Spoofed in America's Sweethearts (2001) See more »


Brooklyn Beats (Pulse 2 Rhythm Version)
Written by Scott Kinchen
Performed by Fathoms N.Y.
Courtesy of Henry Street Records, Inc.
See more »

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User Reviews

Underrated thriller
14 March 2000 | by (United States) – See all my reviews

Alec Baldwin comes on quoting from the Tao Te Ching, making me think he's my kind of anti hero. He's urban, sophisticated and seemingly very safe since he's an art curator, or seems to be. Demi Moore as Annie Laird, a gifted and original sculptor (she sculpts works of art that you feel with your hands by reaching up into them: it's all tactile), is thrilled when he offers to buy her work and sell it to the Japanese. Wow. She has arrived as an artist.

Thus we have an intriguing and original premise for a thriller. One almost wishes that there weren't this little matter of her agreeing to serve on the jury in the case of a Mafia boss on trial for murder..

I will gloss over the excellent, if unlikely, plot since it would be preemptive to reveal any of it, and concentrate on Demi Moore who is gorgeous, strange and riveting.

It might seem impossible to give an 'heroic' performance in a thriller, since the point of a thriller is pure entertainment, but this movie manages to look into the nature of good and evil a bit more than most, and Moore plays her part like our dream of a true heroine. Her character has strength and cunning; she's sharp without pretension. I always thought Moore was better than her reputation, but somehow she always seemed a little on the not entirely bright side, the kind of actress who would never presume to play Shakespeare. But now I think she's a 'natural,' like a gifted athlete-I'd almost say an 'animal'-as an actress, which is probably why some people don't like her. She can project the beautiful woman, an ordinary woman, or herself as a matronly woman with just a turn of her head. She can display a wide range of emotions and be, by turns, both a masculine and a feminine entity; but she is not androgynous. The role she plays here is, in a sense, the feminine counterpart of many Harrison Ford roles, the ordinary person elevated to heroic action by compelling circumstances. I would not say that Demi Moore is a great actress, but she is close, and I could be wrong.

Alec Baldwin combines megalomania with a seductive cynicism. He fills the screen with his presence like something you can't get rid of. He is so compelling you want to push him away or just give up. And he is charming-evil, but charming.

Brian Gibson's direction is unobtrusive and clever, and he pays attention to detail. The script is relatively free of the implausibilities that usually mar the genre, and the editing is crisp without jarring. The story practically transcends the genre by making us feel the evil of violent crime and how it perverts society, the sort of revelation not usually attempted in a thriller. I was especially delighted to see the Mafia demeaned and defeated, even if it's only by a new breed of international criminal. This is a superior thriller.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

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