A stonemason steadfastly pursues a cousin he loves. However their love is troubled as he is married to a woman who tricked him into marriage and she is married to a man she does not love. ... See full summary »
Hideous Kinky is the story of two sisters (seven and five years old) traveling with their hippie mother from London to Morocco. They encounter many adventures, new experiences, and ... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
A stonemason steadfastly pursues a cousin he loves. However their love is troubled as he is married to a woman who tricked him into marriage and she is married to a man she does not love. Living out of wedlock, the two are rejected by the townspeople leaving them to struggle in abject poverty. Written by
John Sacksteder <firstname.lastname@example.org>
Christopher Eccleston (Jude Fawley) and David Tennant (Drunk Undergraduate) both later portrayed the Doctor in Doctor Who. The former played the Ninth Doctor from March to June 2005 while the latter played the Tenth Doctor from June 2005 to January 2010. See more »
They locked me up for being out with you, so I jumped out of the window, climbed over a fence, crossed the deepest river in England and here I am!
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There are three common errors made by directors of historical films that Michael Winterbottom neatly avoids in 'Jude', his adaptation of Thomas Hardy's novel. Firstly, he creates a picture of a livable past, not some shallow collage of country houses and Dickensian squalor but a world in which a normality, of sorts, might reign. Secondly, he sets out to explore that normality, instead of simply judging the past by present values. Finally, he is working with a script that is neither archaic and stiff nor laced with modern anachronisms. Add to this strong direction and casting (Christopher Ecclestone is excellent in the title role, and a young Kate Winslett fetchingly appealing as Sue), and the result is a good film; but it lacks something of a dramatic punch.
I haven't read the book, but one senses from the film that it may represent a fierce attack on then-contemporary values, particularly those involving marriage, values which drive the characters to their ultimate misfortune. One senses this, but in the movie this theme is played down, so the story seems merely to tell of the ups and downs of Jude's life, presented as fairly accidental happenings. A terrible tragedy eventually occurs; and, because of what has happened in the past, a second, avoidable, tragedy then follows. The problem, dramatically speaking, is that the second tragedy appears smaller than the first, thus the end of the film serves as an anti-climax. Without a unifying sense of accusation, we, instead of a powerful polemic, are left with only the tale of an unfortunate.
'Jude' is one of the better, and the least sentimental, of historical films. But something of the point has been lost in translation.
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