| Photos (See all 44 | slideshow) | Videos |
| Jackie Chan | ... | Insp. Chan Ka Kui | |
| Jackson Liu | ... | Jackson Tsui (as Jackson Lou) | |
| Annie Wu | ... | Annie Tsui (as Chen Chun Wu) | |
| Bill Tung | ... | 'Uncle' Bill Wong | |
| Yuri Petrov | ... | Col. Gregor Yegorov (as Jouri Petrov) | |
| Nonna Grishaeva | ... | Natasha (as Grishajeva Nonna) | |
| John Eaves | ... | Mark | |
| Terry Woo | ... | Uncle Seven | |
| Kristopher Kazmarek | ... | Cmdr. Korda (as Kristoff Kaczmarek) | |
| Ailen Sit | ... | Golden Dragon Club Member | |
| Man-Ching Chan | ... | Golden Dragon Club Member | |
| Rocky Lai | ... | Golden Dragon Club Member | |
| Chan Wai To | ... | Golden Dragon Club Member | |
| Brett Arthur | ... | Hit Man | |
| Mark French | ... | Hit Man | |
| Damien Gates | ... | Hit Man | |
| Mark Gilks | ... | Hit Man | |
| Nathan Jones | ... | Hit Man | |
| Mathew Walker Kininmonth | ... | Hit Man | |
| John Langmead | ... | Hit Man | |
| Steve Livingstone | ... | Hit Man | |
| Steve Morris | ... | Hit Man | |
| Brenton Hoeren | ... | Sniper | |
| Steve Jones | ... | Sniper | |
| Jennifer Hung | ... | Annie's Relative | |
| Doris Lam | ... | Annie's Relative | |
| Shirley Mak | ... | Annie's Relative | |
| Wella Shieh | ... | Annie's Relative | |
| Symantha Liu | ... | Channel 7 Reporter | |
| Gary Wilkinson | ... | Channel 7 Anchorman | |
| Ken Lo | ... | Hong Kong Policeman (as Low Houi Kang) | |
| Esmond Ren | ... | CIA Agent | |
| Jim Hsin | ... | CIA Agent | |
| Igro Guleen | ... | USS Agent | |
| N. Leshcinkov | ... | USS Agent | |
| Rusean Scripnik | ... | Strike Force Leader | |
| Alexander Ustichenko | ... | Maj. Majenko | |
| Ping Wu | ... | (voice) | |
| Mary Ellen Dunbar | ... | (voice) | |
| Dan Lorge | ... | (voice) | |
| Paul Pape | ... | (voice) | |
| Jonathan Nichols | ... | (voice) | |
| Burton Sharp | ... | (voice) | |
| Endre Hules | ... | Russian General #1 | |
| Raissa Danilova | ... | Russian Group #2 | |
| Grisha Dimant | ... | Russian Group #3 | |
| Larisa Eryomina | ... | Russian Group #4 | |
| Misha Markaryan | ... | Russian Group #5 | |
| Alex Veadov | ... | Russian Group #6 | |
| Oleg Vidov | ... | Russian Group #7 | |
| Leeza Vinnichenko | ... | Russian Group #8 | |
| Ilia Volok | ... | Russian Group #9 | |
| Rosalind Ayres | ... | Australian Group #1 | |
| Neil Dickson | ... | Australian Group #2 | |
| Sofie Formica | ... | Australian Group #3 | |
| Jean Gilpin | ... | Australian Group #4 | |
| Bridget Hoffman | ... | Australian Group #5 | |
| Poosy Holmes | ... | Australian Group #6 | |
| Kendrick Hughes | ... | Australian Group #7 | |
| Martin Jarvis | ... | Australian Group #8 | |
| Randall Montgomery | ... | Australian Group #9 | |
| Oliver Muirhead | ... | Australian Group #10 | |
| Ian Ruskin | ... | Australian Group #11 | |
| Alan Shearman | ... | Australian Group #12 | |
| Diz White | ... | Australian Group #13 | |
| Diane White | ... | Australian Group #14 | |
| George Cheung | ... | Chinese Group #1 | |
| Conan Lee | ... | Chinese Group #2 | |
| Dana Lee | ... | Chinese Group #3 | |
| rest of cast listed alphabetically: | |||
| William Tuen | ... | Man (uncredited) | |
Directed by | |||
| Stanley Tong | |||
Writing credits(in alphabetical order) | ||
| Greg Mellott | ||
| Elliot Tong | ||
| Stanley Tong | ||
| Nick Tramontane | ||
Produced by | |||
| Pavel Douvidzon | .... | line producer: Russia, Ukraine | |
| Leonard Ho | .... | executive producer | |
| Johnny Lee | .... | line producer | |
| Barbi Taylor | .... | line producer | |
| Barbie Tung | .... | producer | |
Original Music by | |||
| J. Peter Robinson | (US version) | ||
| Nathan Wang | |||
Cinematography by | |||
| Jingle Ma | |||
Film Editing by | |||
| Peter Cheung | |||
| Chi Wai Yau | |||
Production Design by | |||
| Oliver Wong | |||
Set Decoration by | |||
| Brent Houghton | |||
Makeup Department | |||
| Siu-Mui Chau | .... | hair stylist | |
| Connie Lai | .... | makeup artist | |
| Yun-Ling Man | .... | makeup artist | |
| José Luis Pérez | .... | makeup artist (as José Pérez) | |
Production Management | |||
| Clem Barrack | .... | unit manager | |
| Mark Graziano | .... | post-production supervisor | |
| Rick Kornaat | .... | unit manager | |
| Davie Lam | .... | unit manager | |
| Valentina Plugaru | .... | production manager (episodes in Russia, Ukraine) | |
| Sasha Stratievsky | .... | assistant production manager | |
| Viktor Taranov | .... | production manager: Russia/Ukraine | |
| Sasha Voronin | .... | unit production manager: Russia | |
Art Department | |||
| Ilia Iovu | .... | set dresser: Russia | |
Sound Department | |||
| Steve Burgess | .... | foley artist | |
| Frank Fleming | .... | sound recordist | |
| Gerard Long | .... | foley artist | |
| Peter McBain | .... | dialogue editor | |
| Paul Pirola | .... | sound mixer | |
| Vic Radulich | .... | foley editor | |
| Roger Savage | .... | sound mixer | |
| Gretchen Thornburn | .... | sound recordist | |
| Mark J. Wasiutak | .... | boom operator | |
| Bill Voigtlander | .... | adr editor (uncredited) | |
Special Effects by | |||
| Jeff Little | .... | special effects | |
| Albert Payne | .... | special effects | |
| Angelo Sahin | .... | special effects | |
| Peter Stubbs | .... | special effects | |
| Kevin Turner | .... | special effects technician | |
Visual Effects by | |||
| Mike Sowa | .... | digital timer | |
Stunts | |||
| Man-Ching Chan | .... | assistant stunt coordinator | |
| Mike Clark | .... | ski stunts | |
| Ronald Dabu | .... | ski stunts | |
| John Eaves | .... | ski stunts | |
| Rocky Lai | .... | stunts | |
| Bernard Ledger | .... | stunt coordinator: second unit (as Bernie Ledger) | |
| Steven Lee | .... | ski stunts | |
| Craig Mogul | .... | ski stunts | |
| Ip Choi Nam | .... | stunts | |
| Nick Pay | .... | ski stunts | |
| Hsin Shen | .... | stunts (as Yu Yuen Yin) | |
| Ailen Sit | .... | assistant stunt coordinator | |
| Chiu Yau Tang | .... | stunts (as Tang Chiu Yau) | |
| Chan Wai To | .... | assistant stunt coordinator | |
| Stanley Tong | .... | stunt coordinator | |
| Yu Kai Wai | .... | stunts | |
| Vic Wilson | .... | stunt coordinator: second unit | |
| Shea Adams | .... | stunt performer (uncredited) | |
| Bradd Buckley | .... | stunts (uncredited) | |
| Zelie Bullen | .... | stunts (uncredited) | |
| Jackie Chan | .... | stunt performer (uncredited) | |
| Wah Cheung | .... | stunts (uncredited) | |
| Mick Corrigan | .... | stunt performer (uncredited) | |
| Jim Dunn | .... | stunt coordinator (uncredited) | |
| Jim Dunn | .... | stunts (uncredited) | |
| Sebastian Foxx | .... | stunt performer (uncredited) | |
| Nigel Harbach | .... | stunts (uncredited) | |
| Mars | .... | stunt double: Jackie Chan (uncredited) | |
| Mars | .... | stunts (uncredited) | |
| Puven Pather | .... | stunt performer (uncredited) | |
| Stanley Tong | .... | stunt double: Jackie Chan (uncredited) | |
Camera and Electrical Department | |||
| Steve Bruce | .... | gaffer: Australia | |
| Ross Isaacs | .... | underwater camera operator | |
| Chris Loveday | .... | gaffer: Australia | |
| Ron Taylor | .... | underwater camera operator | |
| Matt Toll | .... | additional second assistant camera | |
| Stanley Tong | .... | underwater camera operator | |
| Anthony Tulloch | .... | best boy | |
Casting Department | |||
| Jonathan Nichols | .... | adr voice casting: USA version | |
Costume and Wardrobe Department | |||
| Juanita Cheng | .... | costumer | |
| Wendy Law | .... | costumer | |
Editorial Department | |||
| Adam M. Duthie | .... | apprentice editor | |
| Michael J. Duthie | .... | editorial consultant (as Michael Duthie) | |
| Geoffrey Lamb | .... | assistant editor | |
| Hope Moskowitz | .... | assistant editor | |
Music Department | |||
| Brent Brooks | .... | music editor | |
| Lee Scott | .... | music editor | |
Transportation Department | |||
| Oleg Gres | .... | unit transportation coordinator | |
| Vladimir Skakun | .... | unit transportation coordinator: Russia/Ukraine | |
Other crew | |||
| Charles Boyle | .... | location manager | |
| John Brousek | .... | location manager | |
| Second Chan | .... | production assistant | |
| Tom Coltraine | .... | safety officer | |
| Mary Ellen Dunbar | .... | adr voice | |
| Zinaida Kravchenko | .... | production accountant: Russia | |
| Wade Krawczyk | .... | assistant armourer | |
| John Langmead | .... | diving instructor | |
| Lemon Liu | .... | continuity | |
| Lemon Liu | .... | script supervisor | |
| Dan Lorge | .... | adr voice | |
| Teodor Matveev | .... | army supervisor: Russia | |
| Lina Merculova | .... | production coordinator: Russia | |
| Jonathan Nichols | .... | adr voice | |
| Paul Pape | .... | adr voice | |
| Burton Sharp | .... | adr voice | |
| Stanley Tong | .... | action choreographer | |
| Ping Wu | .... | adr voice | |
| Yulia Zhuravleva | .... | production assistant: Russia | |
|
|
|
|
|
| Eraser | The Professional: Golgo 13 | Rush Hour 2 | Rush Hour 3 | The Protector |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
If you've never seen a Jackie Chan film before, this is a good place to start. I speak from experience, for it is the first film of his that I saw. I must warn you, though: his films are not for everyone. The plots are often pedestrian and sometimes incoherent. They also are usually dubbed, making them seem cheesy. Sometimes I describe him to people as a guilty pleasure, but that may give the wrong impression. What Chan does well is sheer genius. Plot is besides the point. It's not what his films are about.
What, then, are they about? It's hard to put into words. You may have heard him described as a martial artist, a stuntman, and a slapstick comedian. None of those descriptions do him justice. I could add that he's something of an acrobat and gymnast, but even that doesn't sum it up. There is no actor he can be compared to, for his style is unique; it's like he's developed his own art form. These are not "fighting films" in a traditional sense. They're more like the types of acts you might see at a circus, involving props used in astonishing ways and depending on careful choreography and exquisite timing. For example, at one point in this film Chan flips and twirls a heavy stepladder like it was a baton, then sets it down and weaves his own body through the rungs, while fending off attacks from a group of men.
Typically in his films, the acts he performs get increasingly formidable as the film progresses, culminating in some large-scale stunt such as him leaping off a building. But even the little things he does are eye-popping. In this film he's constantly climbing walls with an agility reminiscent of Donald O'Connor. You never know what to expect, for he does different things in each film.
Well, at least that once was the case. Since "Rush Hour," his 1998 American blockbuster, his stunts have become less intricate, and he's begun repeating ideas. It may be that he's getting older, but it also may be that he's moved from Hong Kong to Hollywood. Undoubtedly the recent films have more polish and better production values, which has helped make them accessible to a wider audience. But his earlier work is so full of invention that I'm able to overlook formula plots, bad acting, and cheesy humor. I do have my limits. A few of his films--"The Protector" comes to mind--are so badly done that it doesn't matter that they have cool fight sequences. His films need some measure of competence to work. They are more than a series of routines strung together.
Part of what makes them charming is Chan himself. He is a pretty solid actor compared to some of the leading American action stars, capable of conveying a full range of emotions convincingly. He is particularly good at expressing panic. The character he plays is not your standard tough-guy. He is frequently an inferior fighter to those he confronts. When hit, he grimaces in pain. When faced with the opportunity, he runs. He survives by a mixture of quick wits and luck. He is far more a throwback to Keaton and Chaplin than a martial arts master.
Of course, I won't call this film or any other by Chan a masterpiece. Perhaps I'm too conventional. If the purpose of films is to entertain, his succeed brilliantly. Whether they appeal to you depends on your taste, but one thing you cannot do is claim he's untalented. It may not be a talent you're used to, but it's one that's likely to remain unparalleled.