| Photos (see all 19 | slideshow) |
Directed by | |||
| Franco Zeffirelli | |||
Writing credits | ||
| Charlotte Brontë | (novel) | |
| Hugh Whitemore | (screenplay) and | |
| Franco Zeffirelli | (screenplay) | |
Produced by | |||
| Joyce Herlihy | .... | associate producer | |
| Jean-François Lepetit | .... | co-producer (as Jean Francois Lepetit) | |
| Dyson Lovell | .... | producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
| Giovannella Zannoni | .... | co-producer | |
| Guy East | .... | executive producer (uncredited) | |
| Riccardo Tozzi | .... | executive producer (uncredited) | |
Original Music by | |||
| Claudio Capponi | |||
| Alessio Vlad | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Richard Marden | |||
Casting by | |||
| Noel Davis | |||
Production Design by | |||
| Roger Hall | |||
Art Direction by | |||
| Dennis Bosher | |||
| Raimonda Gaetani | |||
Costume Design by | |||
| Jenny Beavan | |||
Makeup Department | |||
| Maria Teresa Corridoni | .... | hair stylist | |
| Judy Mitchell | .... | makeup artist | |
| Sarah Monzani | .... | makeup artist | |
| Martin Samuel | .... | hair stylist | |
Production Management | |||
| Angela Allen | .... | post-production supervisor | |
| Riccardo Cardarelli | .... | production manager | |
| Ray Freeborn | .... | production manager | |
Art Department | |||
| John Allenby | .... | property master | |
| Dennis Bovington | .... | construction manager | |
| Karen Brookes | .... | set dresser | |
| Adam O'Neill | .... | draughtsman | |
| Brian Read | .... | property buyer | |
| John Rose | .... | storyboard artist | |
| Howard Weaver | .... | scenic artist | |
Sound Department | |||
| Stan Fiferman | .... | foley artist | |
| Dean Humphreys | .... | sound re-recording mixer | |
| David Stephenson | .... | sound mixer | |
| Nicholas Stevenson | .... | sound editor | |
| Tim J. Carroll | .... | consultant: Dolby Digital (uncredited) | |
Special Effects by | |||
| Jeff Clifford | .... | special effects | |
| Ricky Farns | .... | special effects (uncredited) | |
| Martin Gutteridge | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Graeme Crowther | .... | stunt coordinator | |
| Joss Gower | .... | stunt double | |
Camera and Electrical Department | |||
| Marc Atherfold | .... | camera trainee | |
| Robert Binnall | .... | first assistant camera | |
| Derek V. Browne | .... | director of photography: second unit | |
| Fred Brown | .... | best boy (as Freddie Brown) | |
| Clive Coote | .... | still photographer | |
| Tommy Finch | .... | gaffer (as Tom Finch) | |
| Wick Finch | .... | gaffer: second unit | |
| Clive Prior | .... | second assistant camera | |
| Jimmy Turrell | .... | camera operator: second unit | |
Casting Department | |||
| Paula Chevallet | .... | casting: France | |
| David H. Kramer | .... | adr voice casting | |
| Oded Levy | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Richard Cooke | .... | costume trainee | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Janet Tebrooke | .... | wardrobe supervisor | |
Editorial Department | |||
| Dan Edelstein | .... | supervising editor | |
| Kevin Holt | .... | second assistant editor | |
| Matthew Tucker | .... | assistant editor | |
Music Department | |||
| Stefano Arnaldi | .... | orchestrator | |
| Claudio Capponi | .... | orchestrator | |
| Angelo Giovagnoli | .... | music coordinator | |
| Claudio Messina | .... | music producer | |
| Graham Sutton | .... | music editor | |
| Alessio Vlad | .... | orchestrator | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Sabrina Canale | .... | personal assistant: Franco Zeffirelli | |
| Juliette Caron | .... | dialogue coach | |
| Sheila Carter | .... | choreographer | |
| Marcello Daciano | .... | script supervisor | |
| Noola Delaney | .... | location manager | |
| Wayne Docksey | .... | animal master | |
| Wayne Docksey | .... | farm animals (as Wayne Doxey) | |
| Francesca Dowd | .... | production assistant | |
| Lorraine Fennell | .... | production coordinator | |
| Debbie Kaye | .... | horses and carriages | |
| Gerard Naprous | .... | riding horses | |
| Rachel Neale | .... | location manager | |
| Caroline Pope | .... | choreographer | |
| Tristan Whalley | .... | international publicity | |
| Colin Bishop | .... | post-production script (uncredited) | |
| V. Renee Taylor | .... | mix assistant: New York (uncredited) | |
Thanks | |||
| Roger Arar | .... | special thanks | |
| Marian Davis | .... | special thanks | |
| Carol Levi | .... | special thanks | |
| Maggie Pope | .... | special thanks | |
| Giuseppe Proietti | .... | special thanks | |
| Alberto Soffientini | .... | special thanks | |
| Rita Vergantini | .... | special thanks | |
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I've seen 3 versions of this movie after having read Charlotte Bronte's book. The first was with Orson Wells as Mr. Rochester, the second with Ciaran Hinds, followed by William Hurt's version. Hurt's Rochester is the only one who didn't bring tears to my eyes. He is a wonderful actor, but it's as if this part was not suited to him. Mr. Rochester is a man of passion, pain, and jealousy; none of which were reflected in this story. The story is great, the actors are great, but story and actors are mismatched in this film. Another disservice is the failure of the movie to maintain the integrity of the book. Jane leaves Thornefield twice; once on the death of her aunt, and once again when left at the alter. In Bronte's book, Jane's travels and subsequent proposal of marriage after being left at the alter are somewhat cumbersome, but necessary to support her final return to Rochester, being willing to be with him under any terms. Unfortunately, these adventures are apparently difficult to incorporate into a film. Charlotte Gainsbourg's performance is the only one I've seen, and I'm anxious to follow her career. She seems to have the ability to well play suppressed emotion.