Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Distant Vision is a Live Cinema production that was broadcast to a limited audience from the stages of Oklahoma City Community College on June 5, 2015. This proof of concept piece was a ... See full summary »
Francis Ford Coppola
The movie is about a boy with a unique aging disorder: one that makes him age 4 times faster than normal. It picks up when Jack (Robin Williams) is 10 years old, but looks 40. He tries to go to public school for the first time, and to become friends with kids his own age. His physical appearance causes him lots of problems, however. Written by
Bob Gohari <email@example.com>
Ryan Acton, the photo double for main lead, was told he wasn't needed and wanted to go to school. He was then called back to the set. He wouldn't get out of the car when Francis Ford Coppola asked him to get to make up. Robin Williams was nice enough to get in and talk with him. Ryan didn't tell his mother the story of what Robin said for a couple of years. He said "Hi Ryan, I am your funny double, and if you don't want to get out of the car, it's okay." He then got out, was made up, and then not used that day. See more »
Dolores is seen reaching into her bag to get out the chocolate mousse for Louie. And in the next seen she is seen reaching into it again. See more »
Extremely poor, manipulative "comedy" - full of problems
I had looked forward to JACK when it first came out back in 1996. I remember renting it when it reached video and being severely disappointed. Williams, first of all, is good at channeling a child - we all know that already. The problem lies in the film's schmaltzy, good-natured, sugar-coated outer layer that is sickeningly fake and annoying.
Coppola hasn't really made a good movie I can think of (or, a good movie worth remembering at least) since THE GODFATHER PART III (and not many will even agree with me on that choice! Some might go as far back as APOCALYPSE NOW in '79). It's disappointing to see him resorting to the hack-job he does here - ANYONE could have directed this movie. I never, ever - in a million years - would have suspected it was the product of Francis Ford Coppola.
The movie's ending is "feel-good" - but not in a good way. Instead, when it's over, you feel as if you've just watched a 2-hour soap opera spliced with moments of awkward comedy. The plot would be great for a silly comedy; unfortunately, Coppola turns his movie into some sort of half-cocked drama/epic-wannabe. Simply put, it isn't.
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