A historical television series that focuses on the impact of the Underground Railroad during the 19th century, "Underground" offers viewers a message of social progress that's just as relevant in 2017.
Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Thomas Haden Church
A detective uncovers a formula that was devised by the Nazis in WW II to make gasoline from synthetic products, thereby eliminating the necessity for oil--and oil companies. A major oil ... See full summary »
John G. Avildsen
George C. Scott,
The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to... See full summary »
Set in the year 2010, Dr. Moreau has successfully combined human and animal DNA to make a crossbreed animal. Well, as usual, something goes wrong and David Thewlis must try to stop it before it is too late. Originally rated R, but cut by Frankenheimer to allow "a wider audience". Written by
Kale Whorton <email@example.com>
The ship's name was originally Ipencacuanha, in H.G. Wells's book. The filmmakers changed it to Ombak Penari. In Malay/Indonesian language, Ombak Penari translates directly as Wave Dancer (ombak means wave, penari means dancer). However, to make it grammatically accurate, the phrase should be Penari Ombak instead of the other way round. See more »
When Douglas is first walking through the creature settlement, his shirt sleeves are rolled up. In the next shot from the same scene, his sleeves have gone down See more »
David Thewlis is very good as air-crash survivor who is taken to mysterious island in the South Pacific where recluse Marlon Brando mutates various animals with human genes; Fairuza Balk is Brando's daughter, Val Kilmer (in arguably his weakest performance ever) plays Brando's assistant. Uncontrolled version of H.G. Wells' horror story is crippled by behind-the-scenes strife and ego clashes. It opens well, sustains itself for about forty-five minutes, but then goes completely to hell afterward. John Frankenheimer is credited with the scrappy direction, though he stepped in mid-production and finished the picture after Kilmer had the original director canned. Too bad, with more focus this could've been incredible. Story previously filmed in 1933 (as "Island of Lost Souls") and with Michael York and Burt Lancaster in 1977. ** from ****
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