Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Behind the scenes chronicle of how clash of vision, bad creative decisions, lack of interest and really bad weather plagued the disastrous production of the infamous 1996 remake of The Island of Dr. Moreau.
A detective uncovers a formula that was devised by the Nazis in WW II to make gasoline from synthetic products, thereby eliminating the necessity for oil--and oil companies. A major oil ... See full summary »
John G. Avildsen
George C. Scott,
Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an... See full summary »
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty ... See full summary »
Set in the year 2010, Dr. Moreau has successfully combined human and animal DNA to make a crossbreed animal. Well, as usual, something goes wrong and David Thewlis must try to stop it before it is too late. Originally rated R, but cut by Frankenheimer to allow "a wider audience". Written by
Kale Whorton <firstname.lastname@example.org>
Val Kilmer described the shoot as "crazy". Marlon Brando was still recovering from the suicide of his daughter and the day production started the French set off an underwater atomic bomb near Tahiti where Brando owned an atoll. Then Kilmer learned that he was getting divorced when he turned on the TV. Two days later the director Richard Stanley was fired by the studio due to their concerns over the direction of the film. John Frankenheimer was then hired to replace Stanley but from the start clashed with Brando, Kilmer, and studio executives regarding the direction of the film. See more »
When first arriving at the gate to the compound in the jeep (12 minutes into the movie) a windmill is shown turning. As they enter, the view from inside the jeep shows it turning about half the speed, and the next shot goes back to full speed. See more »
Permit me Mr.Douglas, to tell you something of the Devil as I've come to know him. The Devil is that element in human nature, that impels us to destroy and debase.
And what are you about upon this island but destruction and debasement.
Oh well, I can tell you very plainly...
[Majai interrupts by putting his foot on the dinner table to which Dr.Moreau reacts]
No please, don't do that.
[Majai removes foot from table]
For 17 years I have been striving to create a... some measure of refinement in the...
[...] See more »
David Thewlis, looking like he's wandered in from another film, is totally miscast in this much-troubled version of the HG Wells classic.
After being rescued by toothy vet Val Kilmer and taken to the eponymous location, our Mancunian UN hero comes across cat girl Fairuza Balk and the balloon-like doc (Marlon Brando), all pasty-faced and with an Ealing comedy accent.
Marlon hasn't just been doing beached whale impressions on this exotic isle. You see, mad old Moreau has been messing around with gene-splicing and has created a race of humanoid beasts - courtesy of effects whiz Stan Winston.
He controls them with electric shock implants and is so taken with his work, has little other defence when the beasts inevitably start running wild. In essence, it all goes a bit Jurassic Park.
There are a few good points in this mish mash. A stunning opening titles scene - very necessary considering the lack of any adventure for the first 10 minutes; Thewlis' extraordinary presence; and an okay finale. In fact, any scenes without Brando and Kilmer are quite fascinating. This is partly down to the Richard Stanley screenplay which boasts some flashes of brilliance amid much re-worked studio editing and re-jigging.
This is one of those films where the making of the movie is perhaps more intriguing than the final product. Stanley, the film's original director, was fired and banned from the set. He actually went back, dressed up as a dog man extra, and watched the rest of the production unfold. Had he been allowed to finish his directing chores and had final cut, the result would probably have been a thousand times better.
However, John Frankenheimer does a fair job under the circumstances.
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