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The Island of Dr. Moreau (1996)

4.4
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Ratings: 4.4/10 from 23,214 users  
Reviews: 155 user | 72 critic

After being rescued and brought to an island, a man discovers that it's inhabitants are experimental animals being turned into strange looking humans, all of it the work of a visionary doctor.

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, (uncredited)

Writers:

(novel), (screenplay), 1 more credit »
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Title: The Island of Dr. Moreau (1996)

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Cast

Cast overview, first billed only:
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Daniel Rigney ...
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Nelson de la Rosa ...
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Miguel López ...
Neil Young ...
David Hudson ...
Bison Man
Clare Grant ...
Fox Lady
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Storyline

Set in the year 2010, Dr. Moreau has successfully combined human and animal DNA to make a crossbreed animal. Well, as usual, something goes wrong and David Thewlis must try to stop it before it is too late. Originally rated R, but cut by Frankenheimer to allow "a wider audience". Written by Kale Whorton <nikko11@mind.net>

Plot Summary | Add Synopsis

Taglines:

Through DNA experimentation Dr. Moreau has upset the balance of nature. By turning animals into humans, he's turned heaven into hell. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi violence, horror and gore involving mutant creatures | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

23 August 1996 (USA)  »

Also Known As:

La isla del Dr. Moreau  »

Filming Locations:

 »

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

JPY 295,581,200 (Japan) (15 November 1996)

Gross:

JPY 338,920,000 (Japan) (22 November 1996)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Marlon Brando wore a small radio receiver to aid him remembering his lines. Co-star David Thewlis claimed "He'd be in the middle of a scene and suddenly he'd be picking up police messages and Marlon would repeat, 'There's a robbery at Woolworths'." See more »

Goofs

The shadow of the cameraman is visible as the camera is changing views of Edward while he is thinking of how to kill the other animals. See more »

Quotes

Dr. Moreau: [Aissa walks behind Dr.Moreau and massages his shoulders] Ah God yes, oh yes God, oh please, forcefully, forcefully
[Aissa puts more force into it and causes pain on Dr.Moreau]
Dr. Moreau: Oh... oh no, oh my God
[Dr.Moreau clears his throat, coughs and removes Aissa's hands from his shoulders]
Dr. Moreau: Not so strong, you have no idea how strong you can be. You must be very, very careful.
See more »

Connections

Referenced in Warehouse 13: Time Will Tell (2010) See more »

Soundtracks

Die Interimsliebenden
Written and arranged by Blixa Bargeld, Mark Chung, F. M. Einheit, Alexander Hacke & N. U. Unruh (Copyright Freibank Music)
Performed by Einsturzende Neubauten
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Frequently Asked Questions

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User Reviews

Fascinating mess of a movie
22 December 1999 | by (York) – See all my reviews

David Thewlis, looking like he's wandered in from another film, is totally miscast in this much-troubled version of the HG Wells classic.

After being rescued by toothy vet Val Kilmer and taken to the eponymous location, our Mancunian UN hero comes across cat girl Fairuza Balk and the balloon-like doc (Marlon Brando), all pasty-faced and with an Ealing comedy accent.

Marlon hasn't just been doing beached whale impressions on this exotic isle. You see, mad old Moreau has been messing around with gene-splicing and has created a race of humanoid beasts - courtesy of effects whiz Stan Winston.

He controls them with electric shock implants and is so taken with his work, has little other defence when the beasts inevitably start running wild. In essence, it all goes a bit Jurassic Park.

There are a few good points in this mish mash. A stunning opening titles scene - very necessary considering the lack of any adventure for the first 10 minutes; Thewlis' extraordinary presence; and an okay finale. In fact, any scenes without Brando and Kilmer are quite fascinating. This is partly down to the Richard Stanley screenplay which boasts some flashes of brilliance amid much re-worked studio editing and re-jigging.

This is one of those films where the making of the movie is perhaps more intriguing than the final product. Stanley, the film's original director, was fired and banned from the set. He actually went back, dressed up as a dog man extra, and watched the rest of the production unfold. Had he been allowed to finish his directing chores and had final cut, the result would probably have been a thousand times better.

However, John Frankenheimer does a fair job under the circumstances.


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