| Videos (see all 2) |
| Maggie Cheung | ... | Maggie | |
| Jean-Pierre Léaud | ... | René Vidal | |
| Nathalie Richard | ... | Zoé | |
| Antoine Basler | ... | Journalist | |
| Nathalie Boutefeu | ... | Laure | |
| Alex Descas | ... | Desormeaux | |
| Dominique Faysse | ... | Maïté | |
| Arsinée Khanjian | ... | L'américaine | |
| Bernard Nissile | ... | Markus | |
| Olivier Torres | ... | Ferdinand / Moreno | |
| Bulle Ogier | ... | Mireille | |
| Lou Castel | ... | José Mirano | |
| Jacques Fieschi | ... | Roland | |
| Estelle Larrivaz | ... | La standardiste | |
| Balthazar Clémenti | ... | Robert, assistant | |
| Lara Cowez | ... | Script supervisor | |
| Dominique Cuny | ... | Grip | |
| Jessica Doyle | ... | Jessica, Roland's Friend | |
| Sandra Faure | ... | Vendeuse, sex-shop | |
| Catherine Ferny | ... | Policewoman | |
| Maryel Ferraud | ... | Make-up Woman | |
| Filip Forgeau | ... | Camera Operator | |
| Valerie Guy | ... | Valerie, in Mireille's apartment | |
| Laurent Jacquet | ... | Electrician | |
| Philippe Landoulsi | ... | Inspector | |
| Smaïl Mekki | ... | Kermor, unit manager | |
| Maurice Najman | ... | Maurice, Roland's Friend | |
| Nicolas Giraudi | ... | Directeur de la production | |
| Yann Richard | ... | Kevin | |
| Jérôme Simonin | ... | Property Man | |
| Alexandra Yonnet | ... | Lili, Markus's Friend | |
| Pierre Amzallag | ... | Emergency Doctor | |
| Françoise Clavel | ... | René's Wife | |
| Françoise Guglielmi | ... | Producer | |
| Odile Horion | ... | Zoë's Assistant | |
| François-Renaud Labarthe | ... | TV Cameraman | |
| Alain Martin | ... | Boy at Cafe Des Oiseaux | |
| Guy-Patrick Sainderichin | ... | TV Dignitary | |
| Willy Martin | ... | Bellboy |
Directed by | |||
| Olivier Assayas | |||
Writing credits | ||
| Olivier Assayas | (written by) | |
Produced by | |||
| Georges Benayoun | .... | producer | |
| Françoise Guglielmi | .... | executive producer | |
Original Music by | |||
| Philippe Richard | |||
| Philippe Richard | (music by) | ||
Cinematography by | |||
| Eric Gautier | |||
Film Editing by | |||
| Luc Barnier | |||
Casting by | |||
| Pierre Amzallag | |||
Art Direction by | |||
| François-Renaud Labarthe | |||
Set Decoration by | |||
| Yann Richard | |||
Costume Design by | |||
| Françoise Clavel | |||
Makeup Department | |||
| Isabelle Nyssen | .... | makeup artist | |
| Nancy Tong | .... | makeup artist | |
Production Management | |||
| Sylvie Barthet | .... | production manager | |
| Ivan Fegyveres | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Alice de Andrade | .... | assistant director | |
| François-Renaud Labarthe | .... | assistant director | |
| Jérôme Tardieu | .... | second assistant director (as Jerôme Tardieu) | |
Art Department | |||
| Christophe Mercier | .... | location finder | |
Special Effects by | |||
| Grégoire Delage | .... | special effects | |
| Olivier Zenenski | .... | special effects | |
Stunts | |||
| Michel Julienne | .... | stunt consultant | |
| Leslie Rain | .... | stunts | |
Costume and Wardrobe Department | |||
| Jessica Doyle | .... | costume designer: Irma Vep | |
Editorial Department | |||
| Tina Baz | .... | assistant editor | |
| Nabila Daniault | .... | color timer | |
| Raymond Terrentin | .... | color timer | |
Other crew | |||
| Dina Arbib | .... | assistant director | |
| Edmée Doroszlai | .... | script supervisor | |
| Philippe Letode | .... | location scout | |
Thanks | |||
| Claire Denis | .... | thanks | |
| Christopher Doyle | .... | thanks | |
| Stanley Kwan | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Unlike Scoopy, I say this movie is WELL worth the effort and time, especially if you're familiar with the French New Wave. Jean-Pierre Leaud, one of the biggest stars of the period (he was the little boy in Francois Truffaut's seminal "The 400 Blows" [no pun intended]) is hilarious as a caricature of Godard in particular and French filmmakers in general, and the rooftop interview with (the stunning) Maggie Cheung refers to both Godard's "Breathless" and, indirectly, Fellini's "8 1/2." Though it pokes good fun at the pretentiousness of the French New Wave, "Irma Vep" is also a tender elegy to a time in which movies were actually viewed as art, as something that really MATTERED. Add to the humor and intelligence some really witty direction, superstylish cinematography, and a slew of beautiful people, and you got yerself a postmodern masterpiece and just maybe one last, great film of the New Wave.