A filmmaker's inquiry into transcendence becomes a three-hour trip across countries and cultures, interconnecting people, places and times. From Toronto, the scene of his childhood, Peter ... See full summary »
London-based Emily Wang gained minor notoriety from her VJ-ing on cable television. She is now more renowned for being the longtime girlfriend and pseudo manager of rock musician Lee Hauser... See full summary »
Gilles and Christine a boy and a girl live in the outskirts of Paris, their families are ineffective and distant and they lead a purposeless life. They steal some records in a supermarket ... See full summary »
El Hadj is studying in Paris. He is one of the young Senegalese men who have come to Paris since the French colony became independent to get a good education so that he can serve his ... See full summary »
A film diary divided into three episodes. The first part reflects Jonas Mekas of his time as emigrant in 50th century New York, after leaving the home country of Lithuania. The second part ... See full summary »
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
In the elevator a man touches Mary's shoulder and talks to her telepathically. From that day everything changes in Mary's life, she starts reading people's mind becoming a sort of living radio and soon is pushed toward a bloody path.
French filmmaker René Vidal was once a renowned director, but most see his career on a quick downward slide based on his last several films. In Paris, he is just starting to film his latest movie, a remake of Les vampires (1915), and has hired Hong Kong based Chinese actress Maggie Cheung as the title lead, "Irma Vep" (an anagram for "vampire"), despite she knowing no French and she not being an obvious choice to most. Maggie has never worked with Vidal before and knows little about his movies, but many of his primarily French crew are part of his regular stable. As such, Maggie may become isolated among the cast and crew, unless there are those who bring her into their English conversations, they who may have somewhat ulterior motives in doing so. There are also factions within the cast and crew, who, based on their history, have a poisoned sense of what is going on. With Vidal, he is dealing with some personal issues while he tries to regain his film making form. He may transfer his... Written by
After René says, "respect the silence" to Maggie, he speaks to a woman and takes a drink from a big plastic Coke bottle. He screws the cap on, then hands her the bottle. She turns around, and the cap is missing. See more »
This film ignores most of the things that make French art films such a chore to sit through and keeps a kinetic energy that continues from beginning to end through the use of handheld camerawork, overlapping dialogue, excellent music selections (Sonic Youth!) and an ending that lapses into total experimental film techniques. The (ad-libbed?) scripting and acting are totally believable in relating the chaos and turmoil involved in putting together a feature film as well as flawlessly imitating the look and feel of the "you-are-there" documentary. Especially interesting for Honk Kong film freaks is the presence of Maggie Cheung acting as herself and remarking on working with Jackie Chan but not John Woo (too masculine!), while her interviewer remarks that French cinema is boring and made only for intellectuals. This is a great film about cinema and particularly how French cinema has become stale and out-of-touch with its own audience.
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