A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »
In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife - and more talk when he decides to take her... See full summary »
An Italian woman who lives in London has a passionate affair with a former financial big gun. She also had a second lover, a contract killer who has to kill the big gun. Her second lover's ... See full summary »
Ella is a divorced Chinese American taxi driver who spends her days ferrying people around the roads of Sausalito, San Francisco. After work, she spends time with her 8-year old son, Scott.... See full summary »
A man wants to see his three daughters get married. The eldest is a hard-nosed cop who needs a hard-nosed lover. The middle daughter is a wall flower who yearns for a gangster. The youngest... See full summary »
Tony Ka Fai Leung
The whole city is burning up during the hottest summer on record. Tempers flare, irrational feelings erupt and the impossible becomes possible. And in every corner of the city, love explodes like fireworks.
Rene Vidal, a director in decline, decides to remake Louis Feuillade's silent serial "Les Vampires." Believing no French actress can match Musidora as Irma Vep (an anagram for vampire), he casts Hong Kong action heroine Maggie Cheung, though she speaks no French. On the chaotic set, she's aided by Zoe, the wardrobe mistress with a crush on her; she defends Vidal to a Parisian journalist who trashes all French film and praises John Woo and Schwarzenegger; she befriends Vidal when he goes over the edge; and, in costume, she breaks into a hotel suite to steal jewels as her victim talks on the phone. We also watch the making, the rushes, and the remains of Vidal's unfinished film. Written by
After René says, "respect the silence" to Maggie, he speaks to a woman and takes a drink from a big plastic Coke bottle. He screws the cap on, then hands her the bottle. She turns around, and the cap is missing. See more »
Unlike Scoopy, I say this movie is WELL worth the effort and time, especially if you're familiar with the French New Wave. Jean-Pierre Leaud, one of the biggest stars of the period (he was the little boy in Francois Truffaut's seminal "The 400 Blows" [no pun intended]) is hilarious as a caricature of Godard in particular and French filmmakers in general, and the rooftop interview with (the stunning) Maggie Cheung refers to both Godard's "Breathless" and, indirectly, Fellini's "8 1/2." Though it pokes good fun at the pretentiousness of the French New Wave, "Irma Vep" is also a tender elegy to a time in which movies were actually viewed as art, as something that really MATTERED. Add to the humor and intelligence some really witty direction, superstylish cinematography, and a slew of beautiful people, and you got yerself a postmodern masterpiece and just maybe one last, great film of the New Wave.
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