As a young boy, Richard was fascinated with science and objects in motion. This wonderment was reinforced through the efforts of his father. The only thing that mattered as much as science, and his family, was Arline, whom he met when they were both in school. But fate can often be cruel and Arline is found to be stricken by Tuberculosis. Undaunted, Richard studies the disease as he studies science in hopes of curing her. When her disease is in remission, they marry and he proceeds on to college where his studies and the war lead him to Los Alamos to work on the Manhattan Project. While Richard is intrigued with the solution to the project, he is also concerned with the outcome and saddened with the failing health of Arline. Written by
Tony Fontana <email@example.com>
The scene where Richard breaks down after seeing the dress is supposed to have happened before he comes home and happens because he realizes that he has caught himself thinking about Arline in the present when she has passed on. This is mentioned in "Surely You're Joking Mr. Feynman", . See more »
Mathematics is a language. It's very difficult. It's subtle. You couldn't say those things any other way - and I can talk to dead people with it. I talk to Copernicus every day.
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The Virgin Sturgeon
Written by Bob Curt and Billy Munn
Published by Hollis Music, Inc. (BMI) See more »
For fans of Feynman's books, this will be a disappointment. Matthew Broderick's performance doesn't capture the fire, playfulness and wonder of Feynman's personality (as do documentaries of his lectures). Furthermore, his direction botches many of the anecdotes, missing the points of emphasis and undermining the quirky humour and sense of irony in the original telling. For example, in the Chinese abacus scene (which is shifted to a much earlier period in Feynman's life), Broderick has Feynman initiate the challenge, whereas in real life, it was the hapless abacus salesman who challenged him, completely unaware that he was taking on a renowned physicist. Therefore, the sense of irony, and of Feinman's idiosyncrasy in the world of mere mortals, is lost. Only Patricia Arquette seems to have captured the essence of the memoirs, despite her often unintelligible dialogue.
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