5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
On July 2nd, communications systems worldwide are sent into chaos by a strange atmospheric interference. It is soon learned by the military that a number of enormous objects are on a collision course with Earth. At first thought to be meteors, they are later revealed to be gigantic spacecraft, piloted by a mysterious alien species. After attempts to communicate with the aliens go nowhere, David Levinson, an ex-scientist turned cable technician, discovers that the aliens are going to attack major points around the globe in less than a day. On July 3rd, the aliens all but obliterate New York, Los Angeles, and Washington. The survivors set out in convoys towards Area 51, a strange government testing ground where it is rumored the military has a captured alien spacecraft of their own. The survivors devise a plan to fight back against the enslaving aliens, and July 4th becomes the day humanity will fight for its freedom. July 4th is their Independence Day... Written by
Gustaf Molin <firstname.lastname@example.org>
Director Roland Emmerich was notified one day that Robert Loggia was very upset and refusing to leave his trailer. Days earlier, producer Dean Devlin accidentally suggested to Loggia that he watch Airplane! (1980) for inspiration when he actually intended to suggest Airport (1970). Not familiar with either film, Loggia rented Airplane! and after watching it thought that he had unknowingly been participating in the production of a "spoof" movie. See more »
When Julius and David pull up beside the White House gate, David places the device on the Plymouth's hood to triangulate Connie's position inside. The device's position on the car's hood differs between the close-up and wide shot - note the car door. See more »
If this isn't an insanely beautiful woman, I'm hangin' up.
Sir, I - I- I think you should listen to this.
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Frank Bollinger, originally from the art department is credited as "Alien Supervisor" because he wasn't member of the union, so he wouldn't be allowed to work in that department. See more »
Never mind the stereotypical characters. Never mind the non-existant logic. Never mind that the dialogue is inane and bordering on idiotic. THIS IS GREAT ACTION! And there's no point in denying it.
First of all: I love to watch destruction. Preferably in larger scales. You get fed an enormous amount of it here. Second: I love alien starships the size of New York. And you sure get that too. And third: I love dogfights. You get that too. Forth: I don't take it seriously.
This films is one of the best of the decade, not simply because it works so well in an all-over scheme, but it provides some kicks that no other film had up to then (1996). Aliens arrive in gigantic spaceships and blow up a bunch of major cities. That's all I need.
How to grapple with the fact that logic takes a backseat - please spare me. There are worse films than this one.
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