5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
On July 2nd, communications systems worldwide are sent into chaos by a strange atmospheric interference. It is soon learned by the military that a number of enormous objects are on a collision course with Earth. At first thought to be meteors, they are later revealed to be gigantic spacecraft, piloted by a mysterious alien species. After attempts to communicate with the aliens go nowhere, David Levinson, an ex-scientist turned cable technician, discovers that the aliens are going to attack major points around the globe in less than a day. On July 3rd, the aliens all but obliterate New York, Los Angeles, and Washington, as well as Paris, London, Houston and Moscow. The survivors set out in convoys towards Area 51, a strange government testing ground where it is rumored the military has a captured alien spacecraft of their own. The survivors devise a plan to fight back against the enslaving aliens, and July 4th becomes the day humanity will fight for its freedom. July 4th is their ... Written by
Gustaf Molin <email@example.com>
The "futuristic" looking computer in the control center at Area 51 are components of an IBM AN/FSQ-7 Combat Direction Central, built in 1954 to protect the US from Soviet bomber attack. It was the largest and heaviest computer system ever built, the full system weighing 6000 tons and taking up an entire floor of a bomb-proof blockhouse. Components of decommissioned systems were sold for scrap and bought by film and television production companies who wanted futuristic looking computers, despite the fact they were built in the 1950s. The components used in this film were previously used in The Time Tunnel (1966) and The Towering Inferno (1974) amongst many others. See more »
When the B2 launches the Nuke missile, it can be seen immediately banking left however, in the situation room where the radar is being monitored, you can see that on the screen it immediately banks right. See more »
If this isn't an insanely beautiful woman, I'm hangin' up.
Sir, I - I- I think you should listen to this.
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Frank Bollinger, originally from the art department is credited as "Alien Supervisor" because he wasn't member of the union, so he wouldn't be allowed to work in that department. See more »
Independence Day is the sort of film that's best appreciated on a big screen, preferably a massive great plasma television that is so huge you had to cut the roof off your house and get airlifted in by helicopters just to get it in the living room. You should also have the most state of the art surround sound possible, with bass pickups so deep they cause earthquakes on the Eastern seaboard. Not because Dean Devlin and Roland Emmerich's alien invasion flick is a masterpiece of cinematic art or anything, but because it's loud. Very loud. And if the windows in your house don't shatter when the spaceship flies over New York then well, you're just not experiencing it properly.
Taking the 1950's invasion narratives and pro-tooling them for 90's audiences, Independence Day is an absolute blast of visual flare and gung ho heroism. The plot is so straightforward as to be superfluous (aliens invade, fights ensue) but even so, it remains an invigorating watch purely because of the spectacle it provides. Back in 1996, the sight of that giant blue laser tearing apart lower Manhattan made jaws drop and while it's unlikely to do the same to today's overstimulated audiences, it's still an incredible visual feast. What's more, the ensemble cast makes it surprisingly unpredictable - we all know that the aliens will be defeated at the end, but what isn't so obvious is which characters are going to be alive to see it. Except for the kid and the dog. They're relatively safe bets.
Watching it now though, it does possess a cheerful naivety in the face of world politics. After all, this was 1996, the Cold War was over and 9/11 a long way off, so the entire world uniting against a common foe without being bogged down with petty arguments and personal agendas still seemed believable. Hell, even the gun-toting Arabs that briefly appear on screen are more than happy to rally behind Uncle Sam in the name of freedom. That's right folks, it's an Americans Save The World movie, complete with a snapshot of British officers drinking tea in the desert and waiting for those silly yanks to get a bally move on and show us what to do.
Needless to say, this is blockbuster entertainment through and through. The aliens are apparently here to strip mine the planet of all her natural resources, but they're quite happy to put that off for a bit in order to blow things up for the entire running time. Fans of in-depth characterisation, intelligent story telling and emotional engagement with the protagonists are wasting their time, but if you want to watch tourist attractions, jet planes and space craft exploding for three hours, you can't really go wrong. That business about a computer virus bringing down the mother-ship is a bit daft though, not once did they try switching everything on and off again.
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