On July 2nd, communications systems worldwide are sent into chaos by a strange atmospheric interference. It is soon learned by the military that a number of enormous objects are on a collision course with Earth. At first thought to be meteors, they are later revealed to be gigantic spacecraft, piloted by a mysterious alien species. After attempts to communicate with the aliens go nowhere, David Levinson, an ex-scientist turned cable technician, discovers that the aliens are going to attack major points around the globe in less than a day. On July 3rd, the aliens all but obliterate New York, Los Angeles, and Washington, as well as Paris, London, Houston and Moscow. The survivors set out in convoys towards Area 51, a strange government testing ground where it is rumored the military has a captured alien spacecraft of their own. The survivors devise a plan to fight back against the enslaving aliens, and July 4th becomes the day humanity will fight for its freedom. July 4th is their ... Written by
Gustaf Molin <firstname.lastname@example.org>
On the DVD commentary, visual effects supervisor Volker Engel reveals that the fire engine seen tumbling through the air was simply a model purchased at a toy store. See more »
The interior of Russell's F-18 cockpit is depicted in two separate fashions when seen from his point of view. At times, his HUD is decorated with a photo of his three children. At others, the HUD is seen accompanied by a matchbook. See more »
If this isn't an insanely beautiful woman, I'm hangin' up.
Sir, I - I- I think you should listen to this.
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Frank Bollinger, originally from the art department is credited as "Alien Supervisor" because he wasn't member of the union, so he wouldn't be allowed to work in that department. See more »
Never mind the stereotypical characters. Never mind the non-existant logic. Never mind that the dialogue is inane and bordering on idiotic. THIS IS GREAT ACTION! And there's no point in denying it.
First of all: I love to watch destruction. Preferably in larger scales. You get fed an enormous amount of it here. Second: I love alien starships the size of New York. And you sure get that too. And third: I love dogfights. You get that too. Forth: I don't take it seriously.
This films is one of the best of the decade, not simply because it works so well in an all-over scheme, but it provides some kicks that no other film had up to then (1996). Aliens arrive in gigantic spaceships and blow up a bunch of major cities. That's all I need.
How to grapple with the fact that logic takes a backseat - please spare me. There are worse films than this one.
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