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In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
At the end of the 1950s, in a more innocent America, the brutal, meaningless slaying of a Midwestern family horrified the nation. This film is based on Truman Capote's hauntingly detailed, psychologically penetrating nonfiction novel. While in prison, Dick Hickock, 28, hears a cell-mate's story about $10,000 in cash kept in a home safe by a prosperous rancher. When he's paroled, Dick persuades ex-con Perry Smith, 31, to join him in going after the stash. On a November night in 1959, Dick and Perry break into the Holcomb, Kansas, house of Herb Clutter. Enraged at finding no safe, they wake the sleeping family and brutally kill them all. The bodies are found by two friends who come by before Sunday church. The murders shock the small Great Plains town, where doors are routinely left unlocked. Detective Alvin Dewey of the Kansas Bureau of Investigation heads the case, but there are no clues, no apparent motive and no suspects... Written by
Echo Bridge Home Entertainment
It boggles the mind. If they think another nickel can be squeezed out of a piece of material, they'll squeeze. The only reason I can think of that this story was retold was that the producers figured the audience was so stupid that they either never had seen the original or didn't know that there WAS an original. Well, maybe the assumption isn't that far off base. As a collective we seem to have dropped a good couple of IQ points somewhere along the way. Back in the 1960s Stanley Kaufman wrote an essay on "the film generation." In one of his classes he brought up Preminger's Joan of Arc, and his students did an impromptu comparison with Dreyer. His students don't do that anymore. They can't. They never heard of Dreyer. In the original "In Cold Blood," there is a lot of artsiness and pop psychology. It isn't a timeless classic, but it's a well-made movie. I don't know why anyone felt a remake was a good idea except, as I suggested, there might be another nickel left in it. The shot-by-shot remake of Psycho was a disgrace. It wasn't that long ago, by geological standards, that when a movie became a classic it was left alone. Can anyone imagine making "Gone With the Wind" now, without its being followed up by "Gone With the Wind, Part 2: Scarlett's Revenge"? What an insult this movie is. It's not badly done, but the motives behind its creation are scurrilous.
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