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|Index||32 reviews in total|
I have just seen 'If These Walls Could Talk' for the first time, and I am
completely in awe. This film should be mandatory viewing material for
person who thinks that abortion is an easy choice or that women faced
an unplanned pregnancy should have their right to choose taken away from
Sissy Spacek did a wonderful job portraying the most overlooked unplanned pregnancy demographic: the aging career mother who must choose whether or not to make the sacrifice of raising another child. In this story I truly appreciated the message that choosing to have a child is also pro-choice. Anne Heche's role in the final story was the most 'typical' of the three: the single college student who must struggle with her own moral and personal issues when making a choice about her pregnancy. While she portrayed the most common demographic of women who face an unplanned pregnancy, her role was beautifully and honestly acted. But the most riveting and heartbreaking of the three stories featured Demi Moore as a young widow who must make the hardest decision in her life-- to risk not only her career and reputation but the relationship of her in-laws who have taken her in as one of their own by carrying to term the baby of her dead husband's brother, or to risk her life by choosing what was once a barbaric and incredibly dangerous procedure due to the illegality of abortion. Her struggle is disturbing, and any woman who remembers the dark days before Roe v. Wade will feel her character's pain, fear, and especially her desperation. This story in particular showcases why keeping abortion safe and legal is so very necessary.
What struck me most about this film was not only the realism in all three situations, but how each one of the stories showed that "Pro-Choice" is not always "Pro-Abortion"; a fact that those of us who support a woman's right to chose will be all too glad to point out while those of the stauncher anti-choice fold may be a little slow to admit. The struggle that each woman faces in this film is unique, and while another reviewer mistakenly commented that each instance was merely 'cliché', I will argue that each instance was REAL. Rape and incest are not the causes for most unplanned pregnancies, and a great number of women who choose abortion are of legal age to do so. This film would have been 'cliché' if every actor had portrayed a low-income person of color, which is clearly unrealistic. And while violence against abortion providers isn't an every day occurrence, there are people in our society who wish that were the case-- and including this scene in the film shows us, in graphic detail, the hypocrisy of that opinion.
I was surprised that this film, especially the final story, didn't tackle other reproductive choice-related issues such as birth control. However, I was extremely pleased with how the final story educated viewers on the realities of the abortion procedure (mandatory counseling and all)-- a reality which couldn't be further from the horrific depictions offered up by many in the anti-choice camp. Speaking of which: I was grateful for this film showing that not all people who oppose abortion are stereotypical, out of control lunatics, but that the most radical in this faction tend to be, ironically, male. And one comment made by a character regarding adoption truly hit home for me as I once worked in a residential facility for abandoned and abused children that was, like so many others in this country, bursting at the seams: "The last time I checked, there wasn't a shortage of little black babies".
This film needs to be aired during prime time and piped into the Bush White House, if for no other reason than to show that abortion is not a black and white issue, that the argument surrounding it cannot be settled through protest, violence or prohibition, and that restricting a woman's legal right to reproductive choice will only complicate matters further but will not be an end to abortion. Anyone who has ever been faced with an unplanned pregnancy will agree, and anyone who hasn't will learn that their opinion can be subject to change depending on their circumstances.
I love this film because it tackles the issue from both internal and
external places. Arguments are presented without bias, no matter what some
may say. My dad even thought this was a Pro-Life film. I clearly disagree
with him and believe it's got lots of Pro-Choice leanings. Demi Moore
playing a nurse who is totally alone with an unplanned pregnancy was
excellent. Her fear and aloneness in the not so fabulous '50s was so
beautifully represented. And it's like the other comment said, her "family"
treated her more like an extension of their dead son than like an individual
person. I'd rather have no family at all than one like that. Sissy Spacek
represented a choice, in a decade where choices were allowed. She had it so
much easier than Demi Moore's character, yet her struggle and ultimate
decision were just as hard in a lot of ways, maybe even harder. Anne Heche
and Cher play two women who are up against Pro-Lifers who "love babies". It
reminds me of a bumper sticker I once saw: "I love babies...born and
unborn." Okay, great, but too many people who love babies actually hate
KIDS. Once the child is no longer bald, pink and small, this passionate
"love" turns into hatred and abuse of the worst kind. I know, I've seen it
and I've lived it. Truly the most nerve jangling moment is at the very end
of the film. Matthew Lillard is terrific as a psycho!!!
I give this film an A+++++
If you ever thought a woman's right to choose was an easy one, this will
take care of that. Unexpected pregnancy can be from carelessness of
but it can also be from fallible birth control, boyfriends who lie, and
people you were with against your will. This is three distinct movies in
on the same topic of a woman trying to chose to have, or not have, an
unexpected baby. Each one is set in a different decade.
I had to turn the volume down and close my eyes at times. Not for gruesomeness but the way you close your eyes when someone is about to hit that awful note in the Star Spangled Banner. You feel the pain of their attempt at something difficult. You don't just watch this movie, you feel it.
Men are not portrayed as multi-dimentional as the women are, but they are not the villian either. They are included yet they can never fully understand. You see the suffering the women go through in their own head, how difficult it is, the wavering in their decisions. They have equal fear of having an abortion, having a baby, and having the people around them know of their predicament.
This film shows up as well now as I did when I first saw it in 1996 and was amazed. All those in the "demi moore can't act" camp should check out what she can do with the right material. She delivers an amazing performance in the first piece, giving those of us who dont remember a glimpse of the pre-Roe v Wade situation for women who found themselves in a less than desirable situation. Sissy Spacek is brilliant as ever in a lighter, though heartfelt and often ignored situation of a mom deciding whether one more child is what she wants. The final segment knocks me off my feet. Kudos to Cher for pulling together great actors and great stories.
Excellent film. Shows the realities of abortion and the trials and
tribulations of the women who had to endure these situations. True to life
and accurate depiction. Hopefully will help others to understand why some
women choose to abort. It is not a decision made lightly or without
conscious. And the film depicts how important it is for abortion to be
legal. How even when it is illegal it still happens.
Very educational. A definite must see. Especially for those unsure of how they feel on this issue.
Excellent casting. Very emotional plots.
All three of these short films are good, but the first is outstanding,
largely because Demi Moore, whose performances I've otherwise never
particularly liked, is so excellent. The point that she and Savoca convey -
powerfully - is the sheer isolation, 50 years ago, of women who faced
unwanted pregnancies. Moore spends most of the film, it seems, sitting alone
in an empty house. Otherwise, she's enduring the company of her late
husband's family, who see her only as their boy's widow, not as a human
being. It's a frightening story that exerts a very strong empathetic
The dialog is spare; Savoca relies on Moore's face and body language to convey her terror, aloneness and feeling that things are closing in on her. There's very little "emoting" here, which makes Moore's character all the more forceful. The result is an exemplary piece of film acting.
Of course, how much do we need in the way of tears and histrionics when we can see Moore attempting the old knitting needle cure, and later dealing with the aftereffects of a ghastly kitchen-table operation? This country's abortion laws created - and maintain effectively, in many places - a sort of hell for pregnant women. Thanks to this film, we can really understand a bit of what it was - and is - like.
Lest we forget.
For all the folks who have no clue as to what a woman who finds herself pregnant goes through, this movie could be a great educational tool. Making a baby is easy and one doesn't need any degree of maturity to accomplish the task. Deciding to continue with a pregnancy or to termitate is a trying, sometimes heartrending decision - one that is very individual and very personal. Sometimes there are no right answers, only better choices.
There are now 2 generations of women (and men) who have no idea what life was like before women had access to reliable birth control and safe abortion. Because of birth control, fewer women are forced to make these life or death decisions. Because of legalized and safe abortion, fewer women are forced to go to less than qualified, back alley abortionists who more often than not rendered their clients barren. This movie showed the worst and the best. Bravo for having the guts to make this.
An amazing movie... Not only is the acting incredible, but the realistic plot segments help you to really feel for the characters. I believe the key to this movie may have been how disturbing it was. Each segment allowed for a very vivid portrayal of the abortion issue, without necessarily 'taking sides'. If you've got the time, check it out!
"If These Walls Could Talk" is one of the most powerful films I've ever seen in my life. It is divided into 3 segments: 1) 1950s - Demi Moore plays a woman who must either face becoming the town tramp or getting an abortion; 2) 1970s - Sissy Spacek is a woman forced to choose between losing her lifelong dream or terminating her pregnancy; and 3) 1990s - Anne Heche must come to terms with her own choices amidst a world of hate. All 3 parts are brilliant, each very special in its own way. Demi Moore gives a terrific performance in her role. Sissy Spacek is equally impressive. However, the greatest deal of my praise must go to the '90s portion. Anne Heche is absolutely incredible. Cher also appears as the abortion doctor, as well as directs this part. The ending is so shocking and disturbing that it will leave every viewer breathless. That being said, this film is not for the light of heart. But if you are seeking a well-made movie with a shining cast, "If These Walls Could Talk" is for you.
This is a heart wrenching movie that examines the paths that separate women throughout the years (1950's to present) take when faced with an unexpected pregnancy. Regardless of where on the abortion spectrum you fall this is a must see. I would not recommend this as a child appropriate movie(especially for children under about age 12) unless you and your child are going to sit down and discuss what happens in this movie.
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