Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable ... See full summary »
A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
This series was based on the book by John Grisham about Reggie Love, a lawyer, who just started her practice and is also a recovering alcoholic which was made into a movie starring Susan ... See full summary »
Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable romances within a month, they must jump off the Brooklyn Bridge. Written by
Bob Amaden <firstname.lastname@example.org>
The roses in the final scene when Joe hugs Lucy. See more »
Man in Gallery:
[Lucy and Bwick are on a date and are sitting outside. A man walks up them ringing a bell]
Ring the bell. Make a wish. Twenty dollars.
[Bwick gives the man money and rings the bell. He hands it to Lucy]
[Lucy rings the bell. She clothes her eyes as she rings the bell. She looks behind her and sees a taxi]
IT WORKED! Thanks.
[she gives the man back the bell and runs to the taxi. Bwick takes his money back from the man]
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Platonic best friends and roommates Sarah Jessica Parker (a therapist who's bored with her clients) and Eric Schaeffer (a struggling artist who also teaches art to kids) are frustrated over their lackluster love lives and recall a pact they made years before: if they're both without partners at the age of 30, they will jump off the Brooklyn Bridge together. Romantic comedy alternates between being jaded and sentimental; it has flashes of satirical wit--but only flashes. Sarah Jessica Parker doesn't have much of a character here, and she compensates for this by doing silly bits of business (stretching, giggling, making faces). The most natural performance in the film is turned in by Elle Macpherson as Schaeffer's dream girl; the role is an enigma, but Macpherson's offhand appeal and easy manner gives this fantasy figure some personality, whereas Parker is stuck in a vacuum. Ben Stiller overdoes his small part as a celebrity artist and a young Scarlett Johansson turns up as one of Schaeffer's students (looking like a pint-sized Lolita), but Schaeffer himself runs hot and cold. Wearing funny hats and talking in different rhythms, Schaeffer doesn't really overplay or underplay--he's a goofy mensch, but not a dynamic one like Albert Brooks or Woody Allen. He's careful to give his character some shading, yet the quirks--like much of the serious dialogue--are superficial. *1/2 from ****
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