Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Things don't seem to change much in Wabasha County: Max and John are still fighting after 35 years, Grandpa still drinks, smokes, and chases women , and nobody's been able to catch the ... See full summary »
The escaped delinquent John W. Burns, Jr. replaces Dr. Maitlin on a radio show, saying he's the psychiatrist Lawrence Baird. His tactless radio show is a hit, and he becomes very popular. ... See full summary »
Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a ... See full summary »
Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'. Written by
Derek Picken <firstname.lastname@example.org>
The original Broadway production of "I'm Not Rappaport" opened on Novemeber 19, 1985 at the Boothe Theater and ran for 891 performances. Herb Gardner wrote both the stage play and the screen play for the movie version and won the 1986 Tony award for Best Play. Judd Hirsch won the 1986 Tony Award for best Actor for his role as Nat Moyer, that was played in the movie by Walter Matthau. See more »
While Moyer arrives with a briefcase to the meeting with Carter and Danforth, he leaves without it. See more »
It's the system. Two years old, you stand up. Seventy years later, you fall down again.
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This is a gentle heart warming film, that to me has a quintessential qualities that make Walter Mathau such a great actor. It is not the comedy in which he excelled at in films like 'The Odd Couple'. It is the way he bullies the script and the camera. This he does well but with not as much aplomb in 'The Sunshine Bys'. To see a film where the script is paramount is wonderful, and to have an actor such as Mathau at the centre of it conducting it with all his mastery skill is a delight to watch. The supporting cast around Mathau equip themselves well. They are not overpowered by his fame or skill. At times it feels as though you are actually there watching events unfold. This is a credit to the director who while keeping it looking like the good film it is, also brings you in as though you are the only person in the world watching the film. Although I have only watched the film on the television, I feel that I would have felt the same effect had I been watching the film in the cinema. This is a rare effect, too many times films can have that distant feel. It is the directors's skill, and the skill and art of the actors that this is never lost. I watched this film, when I had to fill half an hour of time. The result was that I was glued to the seat unable to pull myself away.
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