Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When ...
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After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Walter Matthau and Harry Morgan star in this made-for-television drama, in which a judge in a small town discovers that the skeletons in his family closet are aired for all to see after he's named as a prime suspect in a murder.
Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'. Written by
Derek Picken <firstname.lastname@example.org>
The original Broadway production of "I'm Not Rappaport" opened on Novemeber 19, 1985 at the Boothe Theater and ran for 891 performances. Herb Gardner wrote both the stage play and the screen play for the movie version and won the 1986 Tony award for Best Play. Judd Hirsch won the 1986 Tony Award for best Actor for his role as Nat Moyer, that was played in the movie by Walter Matthau. See more »
While Moyer arrives with a briefcase to the meeting with Carter and Danforth, he leaves without it. See more »
You made it up. You made it all up.
Conned your own kid.
Go back to sleep.
That's a sin!
I did it to save a life: mine.
You're not a nice guy. I'm ashamed I even sung a song with you.
You don't understand. Nursing homes were dancing in her head. Desperate measures were required.
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This is a gentle heart warming film, that to me has a quintessential qualities that make Walter Mathau such a great actor. It is not the comedy in which he excelled at in films like 'The Odd Couple'. It is the way he bullies the script and the camera. This he does well but with not as much aplomb in 'The Sunshine Bys'. To see a film where the script is paramount is wonderful, and to have an actor such as Mathau at the centre of it conducting it with all his mastery skill is a delight to watch. The supporting cast around Mathau equip themselves well. They are not overpowered by his fame or skill. At times it feels as though you are actually there watching events unfold. This is a credit to the director who while keeping it looking like the good film it is, also brings you in as though you are the only person in the world watching the film. Although I have only watched the film on the television, I feel that I would have felt the same effect had I been watching the film in the cinema. This is a rare effect, too many times films can have that distant feel. It is the directors's skill, and the skill and art of the actors that this is never lost. I watched this film, when I had to fill half an hour of time. The result was that I was glued to the seat unable to pull myself away.
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