| Photos (See all 14 | slideshow) | Videos |
| Lili Taylor | ... | Valerie Jean Solanas | |
| Jared Harris | ... | Andy Warhol | |
| Martha Plimpton | ... | Stevie | |
| Lothaire Bluteau | ... | Maurice Girodias | |
| Anna Levine | ... | Iris (as Anna Thompson) | |
| Peter Friedman | ... | Alan Burke | |
| Tahnee Welch | ... | Viva | |
| Jamie Harrold | ... | Jackie Curtis | |
| Donovan Leitch | ... | Gerard Malanga | |
| Michael Imperioli | ... | Ondine | |
| Reg Rogers | ... | Paul Morrisey (as Reg Rodgers) | |
| Bill Sage | ... | Tom Baker | |
| Jill Hennessy | ... | Laura | |
| Coco McPherson | ... | Brigid Berlin | |
| Myriam Cyr | ... | Ultra Violet | |
| Danny Morgenstern | ... | Jeremiah Newton | |
| Lola Pashalinski | ... | Psychiatrist | |
| Lynn Cohen | ... | Hotel Earle Concierge | |
| Craig Chester | ... | Fred Hughes | |
| Stephen Dorff | ... | Candy Darling | |
| James Lyons | ... | Billy Name | |
| Lorraine Farris | ... | Susan | |
| Victor Browne | ... | Danny | |
| Billy Erb | ... | Rotten Rita | |
| Kevin Rendon | ... | Amphetamine Head | |
| Caroline Benezet-Brown | ... | Isabelle de Courcy | |
| Anh Duong | ... | Comtesse de Courcy | |
| Massimo Audiello | ... | Mario Amaya | |
| Christina McKay | ... | Warhol Superstar 1 | |
| Eugenie Vincent | ... | Warhol Superstar 2 | |
| Georgia Hubley | ... | Party Band Member | |
| Ira Kaplan | ... | Party Band Member | |
| James McNew | ... | Party Band Member | |
| Tara Key | ... | Party Band Member | |
| Mark Margolis | ... | Louis Solanas | |
| Dawn Didawick | ... | Waitress | |
| Faith Geer | ... | Mrs. Warhola | |
| Jeff Webster | ... | Assistant D.A. Lankler | |
| Henry Cabot Beck | ... | Reporter 1 | |
| Christopher Cook | ... | Reporter 2 | |
| Edoardo Ballerini | ... | Editor of School Paper | |
| Gabriel Mann | ... | Clean Cut Boy (as Gabriel Mick) | |
| Marian Quinn | ... | Jean | |
| John Ventimiglia | ... | John Who Likes Lesbians | |
| Fenton Lawless | ... | John Who Likes Golf Shoes | |
| Laura Ekstrand | ... | Marilyn | |
| Michelle Hurst | ... | Nedicks Manager | |
| Michael Stumm | ... | Chelsea Hotel Manager | |
| Justin Theroux | ... | Mark | |
| Eric Mabius | ... | Revolutionary No. 2 | |
| Isabel Gillies | ... | Alison | |
| Davis Hall | ... | Alan Burke Show Director | |
| Paco Juanas | ... | Flamenco Guitarist | |
| Steve Itkin | ... | Police Chief on T.V. | |
| Bill Lin | ... | Passerby Man | |
| Debbon Ayer | ... | Passerby Girl 1 | |
| Anna Grace | ... | Passerby Girl 2 | |
| Daniel Haughey | ... | The Pornographer | |
| rest of cast listed alphabetically: | |||
| Rebecca Kramer | ... | Runaway (uncredited) | |
| Vincent J. Mazella | ... | Waiter (uncredited) | |
| Jennifer Miro | ... | Cornelia Guest (uncredited) | |
| Charles Nassif | ... | Reporter (uncredited) | |
| Stan Tracy | ... | Maitre'd (uncredited) | |
Directed by | |||
| Mary Harron | |||
Writing credits | ||
| Jeremiah Newton | (book: additional scenes dialogue from "The Letters and Diaries of Candy Darling, 1992") | |
| Diane Tucker | (research) | |
| Mary Harron | (written by) and | |
| Daniel Minahan | (written by) | |
Produced by | |||
| Tom Kalin | .... | producer | |
| Pamela Koffler | .... | line producer | |
| Lindsay Law | .... | executive producer | |
| Christine Vachon | .... | producer | |
| Anthony Wall | .... | executive producer | |
Original Music by | |||
| John Cale | |||
Cinematography by | |||
| Ellen Kuras | |||
Film Editing by | |||
| Keith Reamer | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Thérèse DePrez | |||
Set Decoration by | |||
| Diane Lederman | |||
Costume Design by | |||
| David C. Robinson | (as David Robinson) | ||
Makeup Department | |||
| Rob Benevides | .... | special makeup effects | |
| Judy Chin | .... | makeup artist | |
| Marjorie Durand | .... | key makeup artist | |
| Edward St. George | .... | hair designer | |
Production Management | |||
| Blair Breard | .... | unit production manager | |
| Pamela Koffler | .... | post-production supervisor | |
Art Department | |||
| Annie Ballard | .... | property master | |
| Stuart Berkowitz | .... | art intern | |
| John Bruce | .... | art coordinator | |
| Paul Etheredge | .... | lead man (as Paul Etheredge-Ouzts) | |
| Tanya Greenblatt | .... | art department production assistant | |
| Victoria Krasnakevich | .... | set dresser | |
| Misho Stawnychy | .... | graphic artist | |
Sound Department | |||
| Mark DeSimone | .... | adr engineer | |
| Mark DeSimone | .... | foley mixer | |
| Jeanne Gilliland | .... | boom operator | |
| Kevin Lee | .... | sound editor | |
| John Marshall | .... | supervising mixer | |
| David Novack | .... | sound re-recording mixer | |
| Harry Peck Bolles | .... | supervising sound editor | |
| Lynn Sable | .... | assistant sound editor | |
| Robert Taz Larrea | .... | sound mixer | |
| Alfredo D. Troche | .... | adr artist | |
Special Effects by | |||
| Joyce George | .... | special photography | |
Camera and Electrical Department | |||
| James J. Ferris | .... | grip | |
| Russell Lee Fine | .... | photographer | |
| Nan Goldin | .... | special photography | |
| John C. Nadeau | .... | gaffer (as John Nadeau) | |
| Toshiaki Ozawa | .... | grip | |
| Simone Perusse | .... | best boy electric | |
| Kate Phelan | .... | third electrician (as Kate M. Phelan) | |
| Kenji Tanaka | .... | camera production assistant | |
| John Tanzer | .... | electrician | |
| Susanna Virtanen | .... | first assistant camera (as Indiana Montana) | |
Costume and Wardrobe Department | |||
| Laura R. Solin | .... | costumer | |
| Wendy Van Dyke | .... | wardrobe supervisor | |
Editorial Department | |||
| May Kuckro | .... | assistant editor | |
| Patricia Sztaba | .... | negative cutter | |
| Stan Sztaba | .... | negative cutter | |
Music Department | |||
| Martin Brass | .... | score recordist | |
| James Flatto | .... | music editor | |
| Randall Poster | .... | music supervisor | |
| Dave Soldier | .... | score arranger | |
Other crew | |||
| Andy Clark | .... | assistant location manager | |
| Jewel Donohue | .... | production assistant | |
| Matthew T. Gannon | .... | production associate: Playhouse International Pictures | |
| Eva Kolodner | .... | production office coordinator | |
| Molly Lewis | .... | key craft service | |
| Genevieve Lohman | .... | location assistant | |
| Billy Name | .... | creative advisor | |
| René Veilleux | .... | key production assistant | |
| Sheila Waldron | .... | script supervisor (as Sheila G. Waldron) | |
| Thomas J. Whelan | .... | location manager | |
| John D. Genovese | .... | additional production assistant (uncredited) | |
Thanks | |||
| Ward Chamberlin | .... | thanks | |
| Ahmet Ertegun | .... | thanks | |
| Daniel Haughey | .... | special thanks | |
| Georgia Hubley | .... | thanks | |
| Ira Kaplan | .... | thanks | |
| Andrew Leary | .... | thanks | |
| Arthur Lee | .... | thanks | |
| Milton Maldonado | .... | thanks (as Lt. Milton Maldonado) | |
| Johnny Rivers | .... | thanks | |
| Robin Urdang | .... | thanks | |
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| Coffy | Sex and Fury | Ilsa: She Wolf of the SS | Huevos de oro | Monster |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
If you shoot someone whom others consider "important" I suppose some filmmaker will want to make a movie about you. I can think of no other reason why anyone would want to make a film about Valerie Solanas (Lili Taylor), the spunky, chain-smoking, foul-mouthed, self-centered, lesbian feminist who, in the summer of 1968, shot Andy Warhol (Jared Harris). Warhol was a New York City painter/artist ... or something ... and guru of all things avant-garde, who attracted the chic and the trendy to his New York City "Factory", the center of counterculture pop art.
In the film Solanas, who harbors an enormous grudge against men, comes across initially as assertive and resourceful. She makes a living hustling the streets: "Pardon me sir, you got 15 cents? Pardon me sir ..." On the rooftop of a high-rise she types her S.C.U.M. "manifesto", outlining her complaints against the male species.
But whereas Solanas is passionate about her cause, Warhol is a study in emotional detachment and indifference. He, and those in his orbit, sees Solanas more as a hanger-on. At one point, Solanas shows Warhol her typed manifesto. Warhol flips through it and responds in a deadpan manner: "Did you type this yourself? I'm so impressed. You should come type for us." Marvelous.
The film's best element is the acting. Lili Taylor is terrific. She really gets into the Solanas persona. Jared Harris also gives a splendid performance. The film's tone teeters between seriousness and tongue-in-cheek humor. Costumes, prod design, music, and lighting are all credible.
For modern day feminists, "I Shot Andy Warhol" probably is required viewing. For others, the film offers a cinematic study into the mindset of a quirky, sincere, but ultimately self-deceptive and delusional young woman who got her fifteen minutes of fame by carrying her political cause a little too far.