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I Shot Andy Warhol (1996)

 -  Biography | Drama  -  1 May 1996 (USA)
6.6
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Ratings: 6.6/10 from 5,201 users   Metascore: 75/100
Reviews: 38 user | 40 critic | 20 from Metacritic.com

Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to ... See full summary »

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Title: I Shot Andy Warhol (1996)

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Cast

Cast overview, first billed only:
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Stevie
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Iris (as Anna Thompson)
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Alan Burke
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Gerard Malanga (as Donovan Leitch)
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Paul Morrisey (as Reg Rodgers)
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Tom Baker
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Laura
Coco McPherson ...
Myriam Cyr ...
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Storyline

Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Add Synopsis

Taglines:

You only get one shot at fame.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language, drug use and brief violence | See all certifications »

Parents Guide:

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Details

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Release Date:

1 May 1996 (USA)  »

Also Known As:

Ela Baleou Andy Warhol  »

Box Office

Gross:

$1,814,290 (USA)
 »

Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mary Harron was inspired to write the movie after reading the SCUM Manifesto, the anti-men rhetoric Valerie Solanas published in the 1960s. See more »

Goofs

Hugh Masekela's "Grazing in the Grass" is being played at the party in The Factory. The scene takes place in 1967, but the song was not recorded until March 1968. See more »

Quotes

Andy Warhol: So Candy, how often do you get your period?
Candy Darling: Every day. I'm such a woman!
See more »

Connections

References Rebel Without a Cause (1955) See more »

Soundtracks

I'll Keep It with Mine
Written by Bob Dylan
Performed by Bettie Serveert
Courtesy of Matador Records
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User Reviews

 
thought provoking
8 October 2010 | by (Japan) – See all my reviews

Lili Taylor gives a savagely kinetic performance in this representation of a disturbed individual who may just also have been a genius despite, or because of, her treatment at the hands of various men throughout her life.

Judging biopics in terms of historical accuracy is for the most part a futile exercise. There is no 'truth', only interpretation, but if you want to get closer to the facts you really should be in the library, not the movie theatre. The story of Valerie Solanas is especially vexing in this case, because were this a work of complete fiction, the script would never have been made. The 'so what?' factor is superseded by the fact that this actually happened, and the legacy of Solanas still divides contemporary feminists.

As cinema, the film succeeds through the charisma exuded in Taylor's performance. Her descent into madness is sudden, vicious and uncompromising. The depiction of the shooting, the moment the film has been leading up to, shows a human being divorced absolutely from her conscience. The groovy scene around Warhol's the Factory is both decadent and, viewed from the 21st century, slightly twee. The pastiche of Sixties nostalgia is less foregrounded than Solanas's brutal victimhood. The film begins with a reading of her psychiatric evaluation, where a litany of unpunished crimes inflicted upon this woman by various men is laid out. The female director sets her stall out straight away - what you are hearing now leads through a direct line of cause and effect to the monstrous act you will see committed by Solanas later.

If the film has a major flaw, it is the title. Audiences could be mistaken for thinking it is about a documentarian of Warhol's life and work. Solanas and her SCUM manifesto, for better or worse, have made their mark, and perhaps 'Solanas' would have been a more fitting (if less marketable) title. Did it take the shooting for that to be the case? A polemical moment in recent history relayed straightforwardly, this is competent, entertaining, edifying cinema.


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