6.6/10
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43 user 43 critic

I Shot Andy Warhol (1996)

R | | Biography, Drama | 1 May 1996 (USA)
Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to ... See full summary »

Director:

Writers:

(book), (research) | 2 more credits »

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at Amazon

5 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Stevie
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Iris (as Anna Thomson)
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Alan Burke
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Viva
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Jackie Curtis
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Gerard Malanga (as Donovan Leitch)
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Paul Morrisey (as Reg Rodgers)
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Tom Baker
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Laura
Coco McPherson ...
Brigid Berlin
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Ultra Violet
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Storyline

Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story. Written by Jason Ihle <jrihl@conncoll.edu>

Plot Summary | Add Synopsis

Taglines:

You only get one shot at fame.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, language, drug use and brief violence | See all certifications »

Parents Guide:

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Details

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Release Date:

1 May 1996 (USA)  »

Also Known As:

Ela Baleou Andy Warhol  »

Filming Locations:


Box Office

Gross:

$1,814,290 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The band "Yo La Tengo" appears briefly (along with their friend Tara Key of the band Antietam) as the Velvet Underground in the film. See more »

Goofs

In a segment taking place just weeks before she shoots Andy Warhol in June 1968, Valerie Solanas and Candy Darling watch the Miss America pageant on TV, an event which is actually held in September. See more »

Quotes

Valerie Solanas: Give me fifteen cents, and I'll give you a dirty word.
Maurice Girodias: What's the word?
Valerie Solanas: Men.
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Connections

References I, a Man (1967) See more »

Soundtracks

Summertime Blues
Written by Eddie Cochran and Jerry Capehart
Performed by Blue Cheer
Courtesy of Mercury Records
By Arrangement with Polygram Film and TV Licensing
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User Reviews

Three Good Performances Lost
17 November 2002 | by (Chicago, IL) – See all my reviews

Stephen Dorff and Lili Taylor and Jared Harris are all great in this film, particularly Dorff. But the film's biggest weakness is that everyone in the movie is so weird you don't really care what happens to them. Only Dorff manages to invest his character with enough humanity and vulnerability that you are actually interested to learn of his ultimate fate. I was kind of surprised to learn that Solanis is held up as some kind of proto-feminist lesbian guru when it is obvious she's only twisted and insane.

Imagine if the situation were reversed and Solanis was a man calling for the cutting up of all women and denouncing women as an inferior race. Such a viewpoint would be considered monstrous! Solanis is a crank and a fool, so it's impossible to take her character's world view any more seriously than the guy down by the subway station who mumbles to people who aren't there.

The entire Factory scene is rightly exposed as the pretentious, ridiculous collection of sub-mediocre talent it was. So the viewer isn't surprised when Solanis shoots Warhol, as he couldn't say no to anyone around him and surrounded himself with so many weirdos it was inevitable.



Would this film have been lauded had it been a biopic of Mark David Chapman? I don't see much difference between Solanis and Chapman frankly...both complete, colossal failures in life who managed to gain notierity through murder or attempted murder.

In summary, this was a well-executed take on a rather idiotic topic. I'd rather see the director use her talents to make a movie about people who deserve the effort. Not worthless no-talents like Warhol and Solanis.


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