In 15th century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame. Written by
When Quasimodo is seen singing "Out There" on the cathedral's roof we can see a set of copper green statues - the 12 apostles - around the central needle. These statues were not added until the 19th century during a general restoration directed by Viollet-le-Duc, a French architect who had read Victor Hugo's novel and was concerned about the possibility of Notre Dame being demolished, as some authorities of the time had considered. Consequently, it would have been impossible to see those statues at the time the movie is set. See more »
This is an unholy demon. I'm sending it back to hell, where it belongs.
See, there, the innocent blood you have spilt on the steps of Notre Dame.
I am guiltless. She ran, I pursued.
Now you would add this child's blood to your guilt on the steps of Notre Dame!
My conscience is clear.
You can lie to yourself and your minions, you can claim that you haven't a qualm, but you never can run from nor hide what you've done from the eyes!
[pointing to statues of saints]
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After the final credits, the gargoyle Hugo says, "Good night, everybody!" See more »
I've just read a comment that this movie has a lot of bad songs. I absolutely disagree - there may be some weak parts of script or so, but music is indeed very, very good. Alan Menken made a masterpiece, as usual! The orchestration, score, everything, not to mention good voices of characters. But it is true that maybe this story isn't exactly meant for children, although Disney tried to make it closer to a child's ear and eye. I also think that the animation was really good - much more expressive than some of newer Disney's movies that were made almost entirely by computers. It's a pity that Hunchback wasn't more successful - it certainly deserved it.
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