In 15th century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame. Written by
Quasi's monologue, which begins with "What? What am I supposed to do?" and ends with "And I'm tired of trying to be something I'm not." was recorded in one take. See more »
During the final siege battle, Frollo takes a sword from a soldier, later putting it into his robe on his way up the stairs, when he draws the sword on the roof he draws it from a scabbard never acquired. See more »
Come with me!
To the Court of Miracles. Leave this place.
Oh, no. I'm never going back out there again, because of what happened today. No. This is where I belong.
All right, then I'll come to see you.
Here? But what about the soldiers and Frollo?
I'll come after sunset.
But at-at sunset I have to ring the evening Mass, then after that I clean the cloisters, then I ring the Vespers, and...
[Esmeralda kisses him]
Whatever's good for you.
See more »
After the final credits, the gargoyle Hugo says, "Good night, everybody!" See more »
I've just read a comment that this movie has a lot of bad songs. I absolutely disagree - there may be some weak parts of script or so, but music is indeed very, very good. Alan Menken made a masterpiece, as usual! The orchestration, score, everything, not to mention good voices of characters. But it is true that maybe this story isn't exactly meant for children, although Disney tried to make it closer to a child's ear and eye. I also think that the animation was really good - much more expressive than some of newer Disney's movies that were made almost entirely by computers. It's a pity that Hunchback wasn't more successful - it certainly deserved it.
43 of 50 people found this review helpful.
Was this review helpful to you?