A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
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Pauline is a 'little girl of 66 years old'. She is mentally retarded and been cared after by her sister Martha. When Martha dies, her two younger sisters, Paulette and Cecile have to make a... See full summary »
Dora van der Groen,
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives in Madrid intent on creating "a performance which is freer, straight from the heart, capable of making ... See full summary »
Georges has Down's syndrome, living at a mental-institution. Harry is a busy businessman, giving lectures for young aspiring salesmen. He is successful in his business life, but his social life is a disaster since his wife left him and took their two children with her. This weekend his children came by train to meet him, but Harry, working as always, forgot to pick them up. Neither his wife nor his children want to see him again and he is driving around on the country roads, anguished and angry. He almost runs over Georges, on the run from the institution since everybody else went home with their parents except him, whose mother is dead. Harry tries to get rid of Georges but he won't leave his new friend. Eventually a special friendship forms between the two of them, a friendship which makes Harry a different person. Written by
[fed up with Georges]
Get out! Go find some other sucker to help you out!
[leaves Georges in the rain. He eventually comes back]
Put this on, you'll get soaked and chill.
[puts his coat on Georges]
You like me!
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Foolishly, without bothering to learn any more about it than that it involved Daniel Auteuil and a guy with Downs Syndrome, I avoided this classic til a couple of days ago when they were offering the video for silly money. Let me put my ten cents in with every comment I have read here immediately and state categorically that this film is a JOY. Okay, you know going in that a major character is handicapped so you figure that at some point the movie is going to manipulate your emotions and you're ready for that but, like most things, it's all in the wrist, and this one has an extra metatarsal. It is, of course, the salesman who spends his life lecturing on how to manipulate the buyer who is himself manipulated by Georges - nice touch naming him after the 'normal' one of the two buddies in 'Of Mice And Men', where the retarded Lenny is looked after by George - the irritating, exasperating, impossible lovable guy who walks into his life after Harry nearly ran into his. Okay, to make this work you need to create a character who is the complete opposite of Georges, a guy literally too busy making money and being successful to stop and smell the roses. A guy who misses his daughters dreadfully since his estranged wife - it's not clear if they are divorced or just separated - took them away yet is so busy that he completely forgets to pick them up and leaves them waiting alone at the train station; who opts to attend a conference on his daughter's birthday, you get the picture. Georges misses someone, too. His mother, who is dead. Time and again in his loneliness and hurt he conjures her up and we see the great love they shared. This then, is the back story and the scene is set for what Hollywood used to call a 'meet-cute'. Here, Auteuil, in despair, his mind in a turmoil, driving through the rain runs over something large which he failed to see. Turns out to be the dog that had attached itself to Georges who has lit out from his residential home after watching all the other residents being picked up by relatives. Now all that is left is for Georges to 'change' Harry, to humanise him if you will and this he does in spades. This is a film chock full of laughter and tears and the fact that a leading French actress Miou-Miou agreed to play what is little more than a cameo as Harry's estranged wife speaks volumes for the quality of the writing. Now and again the cynicism surrounding the gongs of filmdom, especially the Oscars, get it right and how appropriate that BOTH these superb actors copped the 'Best Actor' nod at Cannes. 10/10
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