| Sergio Castellitto | ... | Carlo Ruggeri | |
| Victor Cavallo | ... | Antonio | |
| Roberto De Francesco | ... | Pasquale | |
| Isabella Ferrari | ... | Lucia | |
| Iaia Forte | ... | Liliana | |
| Francesco Paolantoni | ... | Pasquale | |
| Alfonso Santagata | ... | Giuseppe | |
| Matteo Urzia | ... | Paolo | |
| Alessandra Vanzi | ... | Cenerentola |
Directed by | |||
| Renato De Maria | |||
Writing credits(in alphabetical order) | ||
| Silvia Colombini | story | |
| Renato De Maria | ||
| Claudio Lizza | ||
| Alberto Sandrini | story | |
Produced by | |||
| Nella Banfi | .... | producer | |
| Giorgio Leopardi | .... | producer | |
Original Music by | |||
| Avion Travel | |||
Cinematography by | |||
| Gianfilippo Corticelli | |||
Film Editing by | |||
| Mirco Garrone | |||
Production Design by | |||
| Claudio Del Vecchio | |||
Set Decoration by | |||
| Giada Calabria | |||
Costume Design by | |||
| Cristina Francioni | |||
Production Management | |||
| Claudio Vecchio | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Enzo Di Terlizzi | .... | second assistant director | |
Sound Department | |||
| Andrea Lancia | .... | sound supervisor | |
Camera and Electrical Department | |||
| Francesco Carini | .... | video assist operator | |
| Felice Guzzi | .... | gaffer | |
| Corrado Meotti | .... | Steadicam operator | |
| Ernesto Natoli | .... | assistant camera | |
| Fabrizio Vicari | .... | camera operator | |
Other crew | |||
| Daniela Berardi | .... | production accountant | |
| Luigi Boscaino | .... | production assistant | |
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| Rotta per il Pilastro | Il trasloco | Paz! | The Front Line | Amatemi |
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IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Italy section |
*** This review may contain spoilers ***
I saw this film ten years ago and it stayed with me...I'm not sure it was ever even released, but I loved it and found it ahead of its time. Yuppie loses his job and then loses everything one after another:
his wife, apartment, dignity... thought it showed out tenuous and uncertain our existences are, pull one thread and it can all unravel. Surprised to see other commenter saying not to waste time on it, I loved it.
Now with the dotcom crash, it rings more true. Much deeper than "full Monty" and other films that have dealt with a similar kind of loss of job and dignity.