Thomas Abberton wants to be a famous surgeon, to heal people, to be able to give the gift of life. Unfortunately he's also very unstable. A mysterious stranger sells him a device to summon ... See full summary »
Steve Michael Martin,
Troubled young Priest Father Farrell returns to deserted house that cost his friends their lives nearly 20 years ago. Plagued by guilt, flashbacks and curiosity, Father Farrell attempts to ... See full summary »
A shady businessman attempts to piece together the details of the car crash that killed his wife and rendered him an amnesiac-- and left him in possession of a sinister puzzle box that summons monsters.
Earth has been silenced and mankind eradicated by one final war. Now in the bowels of Hell Pinhead, Leader of the Cenobites finds himself bored, tortured by his own immortality and facing the fear that his own dark legion will eventually turn upon him. The only thing left to do?..the last possible slice of sensation he can experience?...to open the puzzle box himself.
Gary J. Tunnicliffe
Gary J. Tunnicliffe,
Mike J. Regan,
It's the year 2127. Pinhead, the evil cenobite of the series, has found himself on board a space station in outer space, run by scientist Dr.Merchant. Dr. Merchant's mission is to close the gates to hell forever. Because his ancestor, a toymaker in the 18th century, built the evil puzzlebox that opens the gates to hell. And through the generations, the family of the bloodline has tried to stop it. But now, Dr.Merchant has built the reverse box. The box that will close the gates to hell instead of opening it. Written by
disowned the version with cuts made behind his back due to conflicting artistry ideas. Yagher's version contained much more graphic imagery, plot, and explained everything that happened in the film. The producers disagreed and demanded Pinhead should appear sooner despite every version of the script up until then having him appear around the 40-minute mark. When Yagher was unable to satisfy he disowned it and never finished filming some final scenes. Joe Chappelle was brought on to finish the film, filming new scenes from re-writes including the narrative framing device. Some scenes of the original script were thus never shot. See more »
When the Lament Configuration shoots chains out at Sharpe, and the gateway opens, look at the box in the wide shot and you will see that there are no chains coming from it. See more »
Security Guard 1:
Don't make us put some pain on you!
Pain? How dare you use that word?
Security Guard 2:
He's got... pins in his head.
What you think of as pain is a shadow. Pain has a face. Allow me to show it to you. Gentlemen, I... Am... Pain
See more »
The end credits have the "Filmed in Panavision" moniker, suggesting the film was shot in cinema-scope (2.35:1), however the film was shot in flat (1.85:1) ratio. The end credit was more than likely meant to read "Filmed with Panavision cameras and lenses". See more »
Very well done! C'mon, have you actually SEEN most other 'Horror' films...?
Okay, I wasn't going to bother writing a review for this one and I rarely take the time to write reviews here, BUT... Seeing this undeservedly LOW score here made me feel that I really had to 'say' something.
First off, YES, I am indeed a BIG fan of the first three films; before these just recently came out on glorious Blu-ray, years ago, I even sprang for the UK Puzzle Box set of the first three films (mainly because at the time UNCUT versions were not available here in the States and also for the full commentaries and the bonus DVD that came with it : ) Now, I know it is hard to believe, but I just NOW for the very first time saw this one, part 4; the reason being is that from some casual stuff I had read, I was under the impression that pretty much all the other 'HELLRAISER' films were not very good. Well... Let me tell you, I was extremely surprised and impressed! As I said, compared to all the REALLY AWFUL Horror films out there that are excruciating and badly made, and that is most of them, I was surprised that this one was made quite well.
Okay, so a lot of the fans are sort of put off because it is really different from the other films. Fine... Isn't the POINT to try to come up with different angles and new approaches rather than just remaking the same film again and again...? I thought it was genuinely very creative and kept my attention very much so throughout the film. Sure, okay, it starts in space and your rolling your eyes, thinking "Oh great,'LEPRECHAUN 3'" :) well, it works; it really does. Obviously a LOT of thought was put into the timeline and the mythology of the box, etc., not to mention the follow through at the end. Sure, it wrapped it up rather quickly and left it kind of ambiguous, but so what?! Yes, of COURSE it doesn't have the intensity of the original or even the complexity of the next two films, but to me I was mainly impressed by their not only coming up with the new idea to show the origins, etc., but also I honestly felt that everything that made up the film was done very well considering that it is a damn 'HORROR' movie! : ) I gave it a good, strong '8' which it fully deserves considering the context and type of film. I think that people get SO jaded and expect SO dang much from sequels. I mean, C'mon, compared to what... 'WITCHBOARD' 1-9 or whatever the hell sequel they're at now, this here is pure art!
Heh, if THIS one threw you, just wait until you see part 5! I just this minute finished watching that one for the very first time also a few minutes ago and that is a WILD departure from the early films. However, it was made even much better than this one; the director was actually very, very good!
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