Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world.
Gary J. Tunnicliffe
Earth has been silenced, and mankind eradicated by one final war. Now in the bowels of Hell, Pinhead - leader of the Cenobites - finds himself bored, tortured by his own immortality, and facing the fear that his own dark legion will eventually turn upon him. The only thing left to do? The last possible slice of sensation he can experience? To open the puzzle box himself.
Gary J. Tunnicliffe
Gary J. Tunnicliffe,
Mike J. Regan,
It's the year 2127. Pinhead, the evil cenobite of the series, has found himself on board a space station in outer space, run by scientist Dr.Merchant. Dr. Merchant's mission is to close the gates to hell forever. Because his ancestor, a toymaker in the 18th century, built the evil puzzlebox that opens the gates to hell. And through the generations, the family of the bloodline has tried to stop it. But now, Dr.Merchant has built the reverse box. The box that will close the gates to hell instead of opening it. Written by
Editor Randolph K. Bricker was brought in by Joe Chappelle (who was Miramax's replacement for original director Kevin Yagher) to assemble a completely new cut of the film. This version was the one that was ultimately released in theaters in 1996. See more »
The actor Mickey Cottrell is credited at the beginning of the movie as "Mickey Cotrell". At the end of the movie, in the credits list, the error is corrected. See more »
Temptation is illusion. But the time for trickery is past. In this game, we show ourselves as we really are.
And what is that?
The beauty of suffering.
You are no different from that beast who sucks the bones you throw to it!
[as he hooks into her flesh]
And you, Princess? What are you?
See more »
The end credits have the "Filmed in Panavision" moniker, suggesting the film was shot in cinema-scope (2.35:1), however the film was shot in flat (1.85:1) ratio. The end credit was more than likely meant to read "Filmed with Panavision cameras and lenses". See more »
Not quite as good as part III, but Bloodline is still a relatively watchable installment in the hugely successful Hellraiser series.
The year is 2127, and a descendent of the maker of the box that opens the gate to Hell is trying to figure out a way to open the box and trap the demons that come out of Hell. He has commandeered a space station (that he himself designed) for this task. He opens the box, lets the demons out, and is detained (people begin to investigate his questionable behavior on the ship) before he can capture them. Almost the entire film is told in the form of a story which he tells the people holding him, in an effort to get them to let him go so he can finish his work. Needless to say, it takes a lot of gory deaths to convince them.
There is a small bit of tension created by the fact that the entire time he is telling the guards what is going on, the Cenobites are out and are on the ship. However, this is largely forgotten about for the majority of the film because so much of it takes place in 18th century France, the time when the box was created. Basically, some toymaker makes the box, opens it, demons show up, and they terrorize his family for generations. You'd think they'd be grateful because he let them out into the world of the living. Anyway, the guy in 2127 has taken upon himself the task of building a NEW box that will be sort of an antidote to the first box, one that is designed so that it can actually trap LIGHT inside.
It's an interesting enough story, and it was actually fairly entertaining, but the film itself was still somewhat lacking. The acting was pretty bad (but at least Ashley Laurence was blissfully absent again), and there wasn't much effort put into the directing. The movement back and forth from the distant future to the distant past was also a bit detrimental at times to the tension of the story, but luckily the film did present a few cool new cenobites (one that was satisfactorily created out of a couple of idiot security guards), and Bloodline also displayed probably one of Pinhead's best performances ever. I would say that Bloodline is more of an informational movie than a good Hellraiser movie. While it is interesting to watch, it is almost more informational than entertaining. So even though the movie itself may have been disappointing, I think that it is a good addition to the series as a whole. It works better within the Hellraiser series than it does by itself.
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