Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world.
Gary J. Tunnicliffe
Earth has been silenced and mankind eradicated by one final war. Now in the bowels of Hell Pinhead, Leader of the Cenobites finds himself bored, tortured by his own immortality and facing the fear that his own dark legion will eventually turn upon him. The only thing left to do?..the last possible slice of sensation he can experience?...to open the puzzle box himself.
Gary J. Tunnicliffe
Gary J. Tunnicliffe,
Mike J. Regan,
It's the year 2127. Pinhead, the evil cenobite of the series, has found himself on board a space station in outer space, run by scientist Dr.Merchant. Dr. Merchant's mission is to close the gates to hell forever. Because his ancestor, a toymaker in the 18th century, built the evil puzzlebox that opens the gates to hell. And through the generations, the family of the bloodline has tried to stop it. But now, Dr.Merchant has built the reverse box. The box that will close the gates to hell instead of opening it. Written by
Walt Disney Pictures came under fire in the media when they purchased the then controversial and hip Miramax Films. The initial slate of films that Miramax would be releasing under the Disney deal included Hellraiser: Bloodline, Scream, The Prophecy, Halloween: The Curse of Michael Myers and Mother's Boys. The outcry was due to the fact that the House of Mouse would be directly involved in the marketing and release of horror movies. See more »
The actor Mickey Cottrell is credited at the beginning of the movie as "Mickey Cotrell". At the end of the movie, in the credits list, the error is corrected. See more »
Security Guard 1:
Don't make us put some pain on you!
Pain? How dare you use that word?
Security Guard 2:
He's got... pins in his head.
What you think of as pain is a shadow. Pain has a face. Allow me to show it to you. Gentlemen, I... Am... Pain
See more »
The end credits have the "Filmed in Panavision" moniker, suggesting the film was shot in cinema-scope (2.35:1), however the film was shot in flat (1.85:1) ratio. The end credit was more than likely meant to read "Filmed with Panavision cameras and lenses". See more »
In this fourth gripping installment of the Hellraiser series, we are treated to the story of the Lament Configuration (or Lemarchand's Box or whatever you call it). It involves demons, Pinhead, some French people, architecture and outer space. Pretty good deal.
This film is my favorite in the Hellraiser series. By itself, there is not much going on. I can understand why many think this film is weak. If I just watched it without the entire series, I would be like, "what the heck?" But I think this really ties the first four films together, explaining how everything fits.
I have read reviews that say the film is inconsistent and that it does not line up with the other films. I say hogwash. The film makes perfect sense. And it lines up with the others just fine. I guess you could say things like "how did the box get from x to y", but I think it is pretty clear. The French guy had it, then it went into circulation, then the Cottons had it in parts 1 and 2, then the news reporter in part 3, and she buried it in the cement where it was pulled out this time. What is not to understand?
I could say the space aspect was cheesy. Leprechaun has been to space, and later Jason Voorhees went to space. Others probably did, too, that I cannot think of offhand. But unlike Leprechaun, this made sense... it was actually central to the plot and could not have been done on Earth in any conceivable manner. So the space thing is not so bad.
As I mentioned in my review for "Hellraiser 3", I dislike how writer Peter Atkins introduced new cenobites. This movie has more, including twins and a former demon (which really makes no sense to me). What determines who becomes a cenobite? Pinhead? Maybe this will be explained in a later film, but probably not, and it is not really explained here.
The director disowned this film due to massive re-shoots he had no part in. I, for one, would love to see his version. While I have already said this is my favorite, perhaps the other is something worth checking out. Also, it would stifle some of those critics who think it was reassembled as a senseless pile of bangers and mash. I disagree with those critics and would love to see them eat their words.
After seeing parts 1 and 2 (and presumably 3), watch this. Do not listen to the nay-sayers. If you want to know how the whole Pinhead, box and whatnot started, this is the film to explain it to you. (You might ask how Pinhead got out before the box was created, but you would be silly, because he was not born yet.) I support this one and you should, too.
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