A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
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Robert C. Treveiler
Ex-detective Dave Robicheaux has made a new life for himself and his wife Annie running a bait shop in the outskirts of New Orleans. When they save a little girl, the sole survivor of a plane crash, their lives become forever changed. They take the orphan child into their home and prepare to raise her. However, a visit from DEA agent Dautrieve brings out the detective instincts in Robicheaux and he begins to ask about the rest of the passengers. This brings trouble to Robicheaux and he turns to drug lord Bubba Rocque, a childhood friend. But the friendship becomes estranged when an assault on the Robicheaux home leaves one victim...Annie. Written by
P. Wong <email@example.com>
The film was completed and produced two years before it's actual release. See more »
As Roger Ebert points out in his review, "a character tastes the ring of moisture left by a cold drink, and identifies who must have been drinking it, even though gin cannot permeate glass and the moisture would have been, according to the best theories of condensation, pure water." See more »
[first lines - in the confessional]
I want a drink. I want a drink all the time. Sometimes I wake up in the morning, my eyes pop open and I think I gotta have a drink. A beer, a Bloody Mary, whatever. Even now, and I don't know why. I haven't had a drink in three years.
Three years, huh?
Yeah. Sometimes I'll be talking with my wife and the whole time we're talking I'm thinking about this bar I used to go to. The whole conversation I'm thinking, I'd rather be in that bar than anywhere. The ...
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I guess you could call this a "neo-noir," which is a modern-day film noir. It has that atmosphere, especially in New Orleans which seems to always been pictured on the seamy side in films. After the devastation that took place there last year, perhaps filmmakers will kinder to the city in future movies.
Anyway, a seedy New Orleans, some good blues music and five varied-and-all interesting lead characters make this a very watchable movie. Alec Baldwin, Kelly Lynch, Teri Hatcher, Mary Stuart Masterston and Eric Roberts all contribute with good performances All but Roberts are the "good guys" in this one.
The movie keeps your attention and has you involved for most of the two hours. The action is well-dispersed. My only complaint is a small one: Baldwin with the southern accent doesn't sound natural. Otherwise, a good modern-day crime story.
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