A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
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Jennifer Jason Leigh
Ex-detective Dave Robicheaux has made a new life for himself and his wife Annie running a bait shop in the outskirts of New Orleans. When they save a little girl, the sole survivor of a plane crash, their lives become forever changed. They take the orphan child into their home and prepare to raise her. However, a visit from DEA agent Dautrieve brings out the detective instincts in Robicheaux and he begins to ask about the rest of the passengers. This brings trouble to Robicheaux and he turns to drug lord Bubba Rocque, a childhood friend. But the friendship becomes estranged when an assault on the Robicheaux home leaves one victim...Annie. Written by
P. Wong <email@example.com>
The film was completed and produced two years before it's actual release. See more »
As Roger Ebert points out in his review, "a character tastes the ring of moisture left by a cold drink, and identifies who must have been drinking it, even though gin cannot permeate glass and the moisture would have been, according to the best theories of condensation, pure water." See more »
[Toot holds a straight razor to Dave's neck]
Now, you can get outta this easy, or Toot can sculpt your ears off and make your head look like a fuckin' mannequin. He'd love to do it for you. He was a voodoo priest or some fuckin' thing down in Haiti. Tell him what you did to Robin, Toot.
You talk too much. Get finished. I want to eat.
Guess what he did to her.
You heard me, I said fuck you. Whatever you do to me here, I'm gonna square, and if I don't, I got friends who will.
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Against most reviews of this film, for the genre it is it is one of the best.
I put this film up there with "Two Days in the Valley", as one of the most entertaining of its genre of cops-excops-drugs-mob type movies. I think the main criticism of it has to do with the ruthless violence along with the revenge theme of Baldwin's part. But violence is as violence does in film. Although it ends abruptly, Baldwin's acting was still superb, and so was everyone else's acting. All the female actors did superb job, not just Teri Hatcher. The writers could have put more meaningful time and script into the DEA agent's role as he also had added some positive "good guy" vibe to it, although "good-guy vibe" was not 100% present in his role. It was unclear as to why he kept showing up the way he did in the movie. Writing further revelation of that into the movie could have been done and helped round out the movie more. They had a good actor in the role of the DEA agent, as well. Good acting in the role of Baldwin's Bayou employee.
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