A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
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Robert C. Treveiler
Ex-detective Dave Robicheaux has made a new life for himself and his wife Annie running a bait shop in the outskirts of New Orleans. When they save a little girl, the sole survivor of a plane crash, their lives become forever changed. They take the orphan child into their home and prepare to raise her. However, a visit from DEA agent Dautrieve brings out the detective instincts in Robicheaux and he begins to ask about the rest of the passengers. This brings trouble to Robicheaux and he turns to drug lord Bubba Rocque, a childhood friend. But the friendship becomes estranged when an assault on the Robicheaux home leaves one victim...Annie. Written by
P. Wong <firstname.lastname@example.org>
Originally slated for release in the fall of 1994 when Savoy Pictures (who originally produced and financed the film to it's competition) delayed it. The film was then slated for a 1995 release by the studio, but was finally shelved again because Savoy Pictures had folded in Bankruptcy. Last of the Dogmen (1995) was the final film released under the Savoy Pictures banner. Heaven's Prisoners and a few of the remaining titles that had been delayed for release by Savoy, were picked up by other studios. New Line Cinema finally released the film in the Spring of 1996. See more »
When Robin Gaddis sits at the bar answering Robicheaux's questions she has a drink with spear of fruit. In some of the shots, the spear has an orange slice and two cherries, in other shots, an orange slice and one cherry (and no, she doesn't eat one of the cherries). See more »
You and me... that's the only thing I have in my whole life that means anything to me anymore.
Please don't let me... mess that up.
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Against most reviews of this film, for the genre it is it is one of the best.
I put this film up there with "Two Days in the Valley", as one of the most entertaining of its genre of cops-excops-drugs-mob type movies. I think the main criticism of it has to do with the ruthless violence along with the revenge theme of Baldwin's part. But violence is as violence does in film. Although it ends abruptly, Baldwin's acting was still superb, and so was everyone else's acting. All the female actors did superb job, not just Teri Hatcher. The writers could have put more meaningful time and script into the DEA agent's role as he also had added some positive "good guy" vibe to it, although "good-guy vibe" was not 100% present in his role. It was unclear as to why he kept showing up the way he did in the movie. Writing further revelation of that into the movie could have been done and helped round out the movie more. They had a good actor in the role of the DEA agent, as well. Good acting in the role of Baldwin's Bayou employee.
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