Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through ... See full summary »
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Ryan Rajendra Black,
The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
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Garnet, 8 years old, has a father who has difficulty showing him love, since Garnet's mother died during his birth. Only getting affection by his 16 year old sister Flower, the situation changes when she leaves when she gets pregnant.
Callum Keith Rennie,
Its the 1960s at the University of Toronto. Doug is a well-liked senior with an equally popular girlfriend. Peter is a shy freshman, and new to the big city. Peter and Doug become best ... See full summary »
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface. Written by
Canadian band "Billy Talent" took their name from the character "Billy Tallent." See more »
At the beginning of the movie when Joe is talking to Billy in the bar, Billy lights a cocktail umbrella and puts it out in Joe's beer. However, a minute later, the umbrella is back on the table and Joe is drinking his beer. See more »
[after Victoria questions Bucky Haight really getting his legs shot off]
He showed us his stump, Victoria. Ever see a man's stump? Guy's like, "Go on, man. I want you to know how it feels. Touch it. Touch my stump." Disgusting! So don't tell us that Bucky Haight wasn't shot, cause we were there. We touched his stump.
[girl leaves - to Joe Dick]
Now that was fucking brilliant.
See more »
Any unauthorized duplication, copying or use of all or part of this motion picture may result in civil liabilities and/or criminal prosecution in accordance with applicable laws/or a punch in the face. See more »
One of the best movies about a fictitious rock 'n' roll band ever made
This Is Spinal Tap (1984) is generally regarded as the quintessential rock 'n' roll mockumentarya hilarious look at the inept trials and tribulations of a heavy metal band. On the opposite end of the spectrum is Hard Core Logo (1996), a no frills balls-to-wall look at a fictitious punk rock band. Where Tap is a funny satire, Logo has a much darker undercurrent that gives it an unpredictable edge.
Retired for some years, legendary Canadian punk rock band, Hard Core Logo reunites for a one-off benefit concert for their mentor, Bucky Haight who supposedly had both legs amputated after being shot by a crazy fan. The gig goes so well that the band's charismatic lead singer, Joe Dick convinces everyone to go on a mini-tour across Western Canada with a documentary crew tagging along for the ride. It takes no time at all for all the old gripes and grudges to resurface, most significantly, the fact that lead guitarist, Billy Talent is close to signing on with Jenifur, an MTV-friendly band that has made it to the cover of Spin magazine. This doesn't sit to well with Joe who comes from the old school of punk rock that refuses to sell-out to major labels or appear in glossy corporate magazines. As the tour progresses, the friction between the band members becomes more palpable until it achieves a critical mass.
Hard Core Logo is the third film in Bruce McDonald's informal rock 'n' roll road movie trilogy that started with Roadkill and Highway 61. While something of a minor sensation in Canada, McDonald's films have been largely ignored in the United States, due mostly to lack of proper distribution. This changed somewhat with Logo when Quentin Tarantino saw it a film festival and liked it so much that he bought the US distribution rights under his Rolling Thunder vanity label.
There is a certain raw vibe that permeates Logo and this is perfect for its rough around the edges subject matter. The unrefined attitude is due in large part to the presence of Hugh Dillon as Joe Dick. Not a professional actor but rather lead singer of the Canadian blues punk bank, The Headstones, Dillon's lack of formal training gives his performance a certain unpredictability that is perfect for his character. He obviously drew a lot on his own real life experiences of being in a band and this makes everything he says and does that much more believable.
The interplay between the rest of the band is also very well done. Callum Keith Rennie plays the gifted, low key guitarist who has clearly surpassed his bandmates, Bernie Coulson is the crazy drummer who seems clueless but knows what to do when it counts, and finally John Pyper-Ferguson is the terminally burnt out bass player whose road diary provides the film's voice-over narration. The way these guys joke and argue with each otherlike adults who refuse to grow-upis so good that it feels like they've really been in a band together for many years.
Filmmaker Bruce McDonald keeps this all together with his solid direction. He has an excellent sense of pacingthe movie never gets boringand he instinctively knows that the essence of any good rock 'n' roll movie is, as he puts it, "extremely loud music and cool shots." Cinematographer Danny Nowak uses the shaky, hand-held camera-work that documentaries are known for and he also shoots the band in cool slow motion shots that emphasizes their iconic status.
Along with the aforementioned Spinal Tap and Cameron Crowe's Almost Famous, Hard Core Logo is one of the best fictitious rock 'n' roll movies ever made. It has a genuine appreciation for music and an acute knowledge of the conventions and clichés of the genre. Like Spinal Tap, McDonald's film isn't afraid to make fun of these conventions and like Almost Famous, there is an authenticity to how the band is portrayed and the music they make. Forget the Miramax version and hunt down a copy of this new special editionit's definitely worth those extra Canadian dollars.
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