| Photos (See all 62 | slideshow) | Videos (see all 12) |
| Adam Sandler | ... | Happy Gilmore | |
| Christopher McDonald | ... | Shooter McGavin | |
| Julie Bowen | ... | Virginia Venit | |
| Frances Bay | ... | Grandma | |
| Allen Covert | ... | Otto | |
| Robert Smigel | ... | IRS Agent | |
| Bob Barker | ... | Himself | |
| Richard Kiel | ... | Mr. Larson | |
| Dennis Dugan | ... | Doug Thompson | |
| Joe Flaherty | ... | Jeering Fan | |
| Lee Trevino | ... | Himself | |
| Kevin Nealon | ... | Potter | |
| Verne Lundquist | ... | Announcer | |
| Jared Van Snellenberg | ... | Happy's Waterbury Caddy | |
| Ken Camroux | ... | Coach | |
| Rich Elwood | ... | Assistant Coach | |
| Carl Weathers | ... | Chubbs | |
| Nancy McClure | ... | Terry | |
| Helena Yea | ... | Chinese Lady | |
| Will Sasso | ... | Mover (as William Sasso) | |
| Dee Jay Jackson | ... | Mover | |
| Ellie Harvie | ... | Registrar | |
| Ian Boothby | ... | Guy on Green | |
| Andrew Johnston | ... | Crowd Guy - Waterbury | |
| Kim Restell | ... | Crowd Girl - Waterbury (as Kimberley Restell) | |
| Fred Perron | ... | Waterbury Heckler | |
| Helen Honeywell | ... | Crazy Old Lady | |
| Paul Raskin | ... | Starter #1 - Waterbury | |
| William Samples | ... | Starter #2 - AT&T | |
| John Shaw | ... | Daniel Lafferty | |
| Ted Deekan | ... | Auctioneer (as Ted Deeken) | |
| John B. Destry | ... | Zamboni Driver (as John Destry) | |
| James Crescenzo | ... | Shooters AT&T Caddy (as Jim Crescenzo) | |
| Brett Armstrong | ... | Shooters Tournament Caddy | |
| Peter Kelamis | ... | Potter's Caddy | |
| Stephen Tibbetts | ... | Pro Golfer | |
| Edward Lieberman | ... | Pro Golfer | |
| Donnie MacMillan | ... | Young Happy | |
| Louis O'Donoghue | ... | Happy's Dad | |
| Lisanne Collett | ... | Happy's Mom | |
| Stephen Dimopoulos | ... | Italian Guy | |
| Douglas Newell | ... | Starter #4 - Pro-Am | |
| Frank L. Frazier | ... | Blue Collar Fan | |
| David Kaye | ... | Reporter | |
| Zachary Webb | ... | Batting Kid | |
| Simon Webb | ... | Doctor | |
| Mark Lye | ... | Mark Lye | |
| Betty Linde | ... | Elderly Woman | |
| Dave Cameron | ... | Reporter #2 | |
| Lou Kliman | ... | Reporter #3 | |
| Brent Chapman | ... | Official | |
| Jessica Gunn | ... | Signed Chest Woman | |
| Phillip Beer | ... | Cowboy Joe | |
| Fat Jack | ... | Jack Beard | |
| Michelle Holdsworth | ... | Babe on Green | |
| Charles L. Brame | ... | Abe Lincoln | |
| rest of cast listed alphabetically: | |||
| Carrie Fleming | ... | Donna (uncredited) | |
| Brennan Kotowich | ... | Boy (uncredited) | |
| Joe Sakic | ... | Player at Hockey Tryouts (uncredited) | |
| Ben Stiller | ... | Hal L. - Orderly in Nursing Home (uncredited) | |
Directed by | |||
| Dennis Dugan | |||
Writing credits(WGA) | ||
| Tim Herlihy | (written by) & | |
| Adam Sandler | (written by) | |
Original Music by | |||
| Mark Mothersbaugh | (music by) | ||
Cinematography by | |||
| Arthur Albert | (director of photography) | ||
Film Editing by | |||
| Jeff Gourson | |||
| Steve R. Moore | |||
Casting by | |||
| Joanna Colbert | |||
Production Design by | |||
| Perry Andelin Blake | |||
| William Heslup | (co-production designer) | ||
Art Direction by | |||
| Richard Harrison | |||
Set Decoration by | |||
| Mark Lane | |||
Costume Design by | |||
| Tish Monaghan | (as Tish Monoghan) | ||
Makeup Department | |||
| Anji Bemben | .... | key hair stylist | |
| Doug Morrow | .... | special makeup effects artist | |
| Lisa Taylor Roberts | .... | key makeup artist (as Lisa Roberts) | |
| Fay von Schroeder | .... | makeup artist (as Fay Von Schroeder) | |
| Jill Winston | .... | hair stylist | |
Production Management | |||
| Warren Carr | .... | unit production manager | |
| Robert Hackl | .... | post-production supervisor | |
| Michelle Marx | .... | unit production manager: second unit, Miami | |
Second Unit Director or Assistant Director | |||
| Arlene L. Arnold | .... | third assistant director (as Arlene Arnold) | |
| Wayne Bennett | .... | second assistant director | |
| Peter D. Marshall | .... | first assistant director (as Peter Marshall) | |
| David W. Rose | .... | assistant director: second unit | |
| Berengaria Tomkies | .... | dgc trainee (as Beren Tomkies) | |
Art Department | |||
| George Cromartie | .... | set dresser | |
| Bernie Desfosses | .... | on-set carpenter | |
| Roger Dole | .... | assistant set decorator | |
| Dave Dyer | .... | construction foreman | |
| R.D. 'Luther' Fairbairn | .... | assistant propsman (as Luther Fairbairn) | |
| Nancy Ford | .... | assistant art director | |
| Arthur A. Green | .... | on-set greensman (as Art Green) | |
| Shannon Grover | .... | on-set carpenter | |
| Denise Hutniak | .... | set dresser | |
| Paul Jenkinson | .... | lead man | |
| John G. Kennedy | .... | set dresser (as John Kennedy) | |
| Avo Liva | .... | head greensman | |
| Cricket Price | .... | art department assistant | |
| Mark Prior | .... | set buyer | |
| Elmar Theissen | .... | head painter | |
| Bill Thumm | .... | property master | |
| Glenn Woodruff | .... | construction coordinator | |
| Wendy McAllister | .... | storyboard artist (uncredited) | |
| James Steuart | .... | set designer (uncredited) | |
Special Effects by | |||
| Tony Gardner | .... | animatronics | |
| Lars Lenander | .... | special effects assistant | |
| William H. Orr | .... | special effects (as Bill Orr) | |
| Clay Scheirer | .... | special effects (as Clayton Scheirer) | |
| Keith Wardlow | .... | special effects | |
| Doug Hudson | .... | prosthetic effects (uncredited) | |
| Vincent Niebla | .... | sculptor and painter: Animal Makers, Inc. (uncredited) | |
Visual Effects by | |||
| William L. Arance | .... | digital animator: Available Light Ltd. (as W.L. Arance) | |
| Beverly Bernacki | .... | optical: Available Light Ltd. | |
| John Follmer | .... | visual effects supervising producer: MetroLight Studios | |
| Martin Hilke | .... | visual effects production assistant: Available Light Ltd. | |
| Cynthia Hyland | .... | digital animator: Available Light Ltd. | |
| Katherine Kean | .... | visual effects producer: Available Light Ltd. | |
| Laurel Klick | .... | digital supervisor: Available Light Ltd. | |
| Jennifer Law-Stump | .... | digital artist: MetroLight Studios (as Jennifer Law) | |
| Steve R. Moore | .... | visual effects editor: Available Light Ltd. (as Steve Moore) | |
| Larry Stanton | .... | digital animator: Available Light Ltd. | |
| Joseph Thomas | .... | visual effects animation camera operator: Available Light Ltd. | |
| John T. Van Vliet | .... | visual effects supervisor: Available Light Ltd. | |
| Tamara Watts Kent | .... | visual effects line producer: MetroLight Studios (as Tami Watts) | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios (uncredited) | |
| Dobbie Schiff | .... | visual effects executive producer: MetroLight Studios (uncredited) | |
| Samrod Shenassa | .... | technical assistant: MetroLight Studios (uncredited) | |
Stunts | |||
| Guy Bews | .... | stunts | |
| Corry Glass | .... | stunts (as Corry Glass-Lowry) | |
| Jason Glass | .... | stunts | |
| Tom Glass | .... | stunts | |
| Alex Green | .... | stunts | |
| David Jacox | .... | stunts (as David Jacox Jr.) | |
| Ken Kirzinger | .... | stunts | |
| Michael Langlois | .... | stunts | |
| Mike Mitchell | .... | stunts (as Mike A. Mitchell) | |
| Fred Perron | .... | stunts | |
| Fiona Roeske | .... | stunts | |
| Greg Schlosser | .... | stunts | |
| Dawn Stofer-Rupp | .... | stunts (as Dawn Stofer) | |
| Melissa R. Stubbs | .... | stunts | |
| Mike Vézina | .... | stunts (as Mike Vezina) | |
| Brent Woolsey | .... | stunt coordinator | |
| Brent Woolsey | .... | stunts | |
Casting Department | |||
| Michelle Allen | .... | casting: Vancouver | |
| Sandra Couldwell | .... | extras casting | |
| Joan Ryan | .... | adr voice casting | |
| Toby Stone | .... | adr voice casting | |
| Jennifer Wilson | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Christine Coutts | .... | assistant costume designer | |
| Jennifer Grossman | .... | costumer | |
| Jean Murphy | .... | costume set supervisor | |
Editorial Department | |||
| Carolle Alain | .... | first assistant editor: Vancouver | |
| Sandy Brundage | .... | negative cutter | |
| Jonathan Cates | .... | assistant film editor: Los Angeles | |
| Richard Conkling | .... | assistant editor: Los Angeles (as Richard H. Conkling) | |
| Bonni Devlin | .... | second assistant editor: Vancouver | |
| Jason Gourson | .... | second assistant editor: Los Angeles | |
| Claudia Morgado Escanilla | .... | trainee editor: AVID (as Claudia Morgado) | |
| Jim Passon | .... | color timer | |
| Sharidan Sotelo | .... | first assistant editor: Los Angeles | |
| Ryan Hogan | .... | dailies colorist (uncredited) | |
Music Department | |||
| Tom Adams | .... | composer: additional score | |
| Tom Adams | .... | orchestrator | |
| Michael Baber | .... | assistant music editor | |
| Robert Casale | .... | music mixer | |
| Robert Casale | .... | music producer | |
| Larry G. Goldman | .... | composer: additional score | |
| Larry G. Goldman | .... | orchestrator | |
| Michelle Kuznetsky | .... | music supervisor | |
| Mutato Muzika | .... | music recordist | |
| Kim Naves | .... | music editor | |
| Jennifer Pyken | .... | music supervisor | |
| Mary Ramos | .... | music supervisor | |
| Bruce Young Berman | .... | musician: guitar solos (uncredited) | |
Transportation Department | |||
| Gord Brennan | .... | driver | |
| Don Briscoe | .... | driver | |
| Jake Callihoo | .... | transportation coordinator | |
| Don Cox | .... | driver | |
| Robert Forsyth | .... | driver (as Bob Forsyth) | |
| Earl Fry | .... | driver | |
| Ed Gillis | .... | driver | |
| Clarence Horkey | .... | driver | |
| Dale Johnson | .... | transportation captain | |
| Keith Lapp | .... | driver | |
| Carol McDonald | .... | driver | |
| Red Murphy | .... | driver | |
| Phil Parker | .... | driver | |
| Mike Porohowski | .... | driver | |
| Derek Rama | .... | driver | |
| Doug Rama | .... | driver | |
| Robert Smith | .... | driver | |
| Rocky Zantolas | .... | driver | |
Thanks | |||
| Grandma Anna | .... | in memory of | |
| Grandma Mollie | .... | in memory of | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Happy Gilmore is Adam Sandler's only standout performance in a long list of half-assed, unfunny comedies. But this is it, the real deal. This is the film that all other Sandler films make references to, quote and celebrate, in case you ever wondered where phrases like "It's all in the hips" (as said in Little Nicky) and "You eat pieces of sh*t for breakfast?" (quoted everywhere) came from. Well, Happy Gilmore is the birth of these phrases as well as the birth of a comedic star. It is also just all-around solid comedic entertainment and a crash-course in golf. Or rather, 101 Things Not To Do On The Golf Course.
Adam Sandler is Happy. But this is only his character's ironic name, because Happy is really quite angry and extremely frustrated at getting nowhere in his amateur hockey career. He slips into golf by what can only be described as a fluke, and is able to take out his aggressions on the golf-court, setting records for longest drives ever as he aggressively hits the ball. The anger he has is advantageous here, but a big problem when it comes to putting - and an even bigger problem when it comes to dealing with smug competitors like Shooter McGavin (superbly played by Christopher McDonald).
Happy Gilmore thus follows Sandler on the golf-court, where 90% of the film takes place. Happy is one of those rare characters in films that you desperately pull for and end up hating all of his competitors and enemies. In this way, Happy Gilmore is a very effective film as it establishes a hero-feeling with its main character, in spite of his flaws. I can't think of many other films in which I've wanted the lead character to win as much as in this one. On top of that device, you have such gems like Adam Sandler beating up old man Bob Barker on the green, Adam Sandler screaming at a golf ball asking it "Are you too good for your home?", and Christopher McDonald in one of the most hilarious and subtlety comedic performances of the 1990s.
So Happy Gilmore is the Godfather of all Sandler films, as well as the only truly good one. It borrows somewhat from Caddyshack in the goofy golf sense so it can't be considered truly original, but it IS original when it comes to Happy Madison productions.
8/10