Twenty-four contestants compete in an endurance/sleep deprivation contest in order to win a brand new Nissan Hardbody truck. The last person to remain standing with his or her hand on the ... See full summary »
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the ... See full summary »
This documentary by Joe Berlinger and Bruce Sinofsky details the murder trial of Delbert Ward. Delbert was a member of a family of four elderly brothers, working as semi-literate farmers ... See full summary »
"I Am Evel Knievel" features footage of Evel's greatest jumps, including the seminal Snake River Canyon and Caesars Palace jumps. The film also showcases Knievel's rise from a small town ... See full summary »
Willie G. Davidson,
Twenty-four contestants compete in an endurance/sleep deprivation contest in order to win a brand new Nissan Hardbody truck. The last person to remain standing with his or her hand on the truck wins. An absurd marketing gimmick at first glance, the contest proves to be much more... Written by
I don't want to scare anyone away with the "D" word, so let's just say that this non-fiction gem is one of the year's best movies and worth begging your video store manager to stock. Using a no-frills action-and-interview technique, director S. R. Bindler follows the fate of 23 Texans who enter a bizarre annual promotional contest run by the local Nissan dealer. The contestants are to stand around a blue pickup truck, with one hand touching it at all times, and the last one left standing (70-80 hours later) wins the truck. Yes, I did say this was non-fiction! Fortunately for Bindler (or perhaps through his expert handling of them) the contestants turn out to be a colorful cross section, and you soon find yourself picking favorites and even rooting for them! The film manages as much suspense as any sporting event, with a lot more curiosity. Also, some profound themes start creeping in. This movie is sure to invite comparisons with those of Errol Morris, due to the eccentricity of its subject, and those who like Morris's work will surely like this. But Bindler deserves credit for forging his own less flashy style, and for giving us this one-of-a-kind, unforgettable experience.
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