Twenty-four contestants compete in an endurance/sleep deprivation contest in order to win a brand new Nissan Hardbody truck. The last person to remain standing with his or her hand on the ... See full summary »
This documentary emphasizes that people have strong feelings about the mullet - very popular hair style among lesbians, race car drivers and others. The general attitude about the mullet is... See full summary »
Early Errol Morris documentary intersplices random chatter he captured on film of the genuinely eccentric residents of Vernon, Florida. A few examples? The preacher giving a sermon on the ... See full summary »
An observation documentary about women who fall in love with large objects rather than people. They maintain to have intimate relationships with them, including comunicating with them ... See full summary »
Twenty-four contestants compete in an endurance/sleep deprivation contest in order to win a brand new Nissan Hardbody truck. The last person to remain standing with his or her hand on the truck wins. An absurd marketing gimmick at first glance, the contest proves to be much more... Written by
I don't want to scare anyone away with the "D" word, so let's just say that this non-fiction gem is one of the year's best movies and worth begging your video store manager to stock. Using a no-frills action-and-interview technique, director S. R. Bindler follows the fate of 23 Texans who enter a bizarre annual promotional contest run by the local Nissan dealer. The contestants are to stand around a blue pickup truck, with one hand touching it at all times, and the last one left standing (70-80 hours later) wins the truck. Yes, I did say this was non-fiction! Fortunately for Bindler (or perhaps through his expert handling of them) the contestants turn out to be a colorful cross section, and you soon find yourself picking favorites and even rooting for them! The film manages as much suspense as any sporting event, with a lot more curiosity. Also, some profound themes start creeping in. This movie is sure to invite comparisons with those of Errol Morris, due to the eccentricity of its subject, and those who like Morris's work will surely like this. But Bindler deserves credit for forging his own less flashy style, and for giving us this one-of-a-kind, unforgettable experience.
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