The Hamster Factor and Other Tales of Twelve Monkeys (Video 1996)An in depth look at the making of 's . |
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The Hamster Factor and Other Tales of Twelve Monkeys (Video 1996)An in depth look at the making of 's . |
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| Cast overview, first billed only: | |||
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Keith Fulton | ... |
Narrator
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Dorothea Braemer | ... |
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Kristi Connors | ... |
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Ken Haas | ... |
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John Haralambous | ... |
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Daniel Hardt | ... |
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Bob Hering | ... |
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Meg Knowles | ... |
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Michael Kuetemeyer | ... |
Additional Voices
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Karin Morris | ... |
Additional Voices
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Birgitte Mortensen | ... |
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Michael O'Reilly | ... |
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Christopher Sapienza | ... |
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Anula Shetty | ... |
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Brad Thoennes | ... |
Additional Voices
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An in depth look at the making of 's .
Gilliam is not a difficult man to understand. He's a painter, not a filmmaker, so he is all about scenes and richness of the moment. Everything has to be delivered now; there is no notion of building so that bigger things can be delivered. There's no long form conveyance, no structure at the scale of life: only powerful effect in the moment as if you were on a drug that erased most memory and all anticipative cognition.
There's a place for this. Usually it isn't as the filmmaker.
But there is a class of films where the inadequacy of the filmmaker is the point: his foibles becoming entangled with what we see on the screen. This was the case with "12 Monkeys" and it is the metastory of this film.
Simply put, Bruce Willis' character has no idea what is real or not. He has no concept of narrative continuity. Everything reflects a past future, meaning no future.
What he has is what he sees and he has no ability to project. As it happens, Gilliam gets entangled with this project in a way that messes with his life while bending the manner in which the story is told to reflect this quiet madness. So the way the film is broken is the point, and we have this here as the real story.
Its pretty cool. You need to see the two together, plus the remarkable "la Jette"
Ted's Evaluation -- 3 of 3: Worth watching.