The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's. Written by
John Brosseau <firstname.lastname@example.org>
Kenneth Branagh first encountered the full length version of the play while performing in the 1992 BBC Radio production of the play with co-stars Derek Jacobi and Richard Briers (who would reprise their roles as Claudius and Polonius respectively in the film). This radio performance anticipated the winter 1992 full text production of Hamlet by the Royal Shakespeare company - the one that would finally crystallize Branagh's interpretation of the character and lead to the film. See more »
Light stand visible in the mirror just before and during a soliloquy. See more »
'Tis now the very witching time of night, when church yards yawn and hell itself breathes out contagion to this world.
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seen one you've seen them all, right? wrong! I still like the sombre Olivier version and Gibson did well, but this is in a class of its own.
I finally realized with this expanded production set 200 years closer to the present the full message that Shakespeare cleverly concealed with the more prominent aspect of Hamlet's quandary, and that is he, Hamlet, is driven to distraction by the awareness its the insidiousness of human nature that created the conditions that saw his father murdered.
looking at the play with this insight you can see numerous scenes where this notion is there in the background. and by changing the era, Branagh shows yet again the astonishing applicability of that truth. all you need is to read a newspaper, something 'included' in this production.
thank god for British stage actors raised on Shakespeare.
a very rewarding viewing.
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