Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle. Meanwhile, war is brewing.

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Cast

Cast overview, first billed only:
Riz Abbasi ...
Attendant to Claudius
...
David Blair ...
Attendant to Claudius
...
...
...
...
Peter Bygott ...
Attendant to Claudius
...
...
Charles Daish ...
Stage Manager
...
...
...
...
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Storyline

Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's. Written by John Brosseau <brossj5683@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images and sexuality | See all certifications »

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Details

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Language:

Release Date:

25 December 1996 (USA)  »

Also Known As:

William Shakespeare's Hamlet  »

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$148,321 (USA) (27 December 1996)

Gross:

$4,414,535 (USA) (11 April 1997)
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Company Credits

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Technical Specs

Runtime:

| (cut)

Sound Mix:

(70 mm prints)| (35 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

For more than a year, Kenneth Branagh had tried shopping the project around major studios in Hollywood, but no studio was willing to finance a four-hour production, citing skepticism of the commercial viability of a William Shakespeare adaptation to a late 20th-century audience. Also, most studios were aware of the negative reviews and the commercial failure of Branagh's previously-directed film, Mary Shelley's Frankenstein (1994) and some of them would only finance the film if the content and the budget is cut to half. However, Castle Rock Entertainment, agreed to finance the film and to Branagh's demands (filming in 65mm, complete control over the film, etc..) under two conditions: a star-studded cast for the show and a 35mm, abridged 2.5 hour version of the film for a wider release. See more »

Goofs

Gertrude and Claudius are standing in different positions depending on the shot. See more »

Quotes

Hamlet: The play's the thing wherein I'll catch the conscience of the king.
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Connections

Version of Hamlet, Prince of Denmark (1907) See more »

Soundtracks

In Pace
Performed by Plácido Domingo
Text researched and adapted by Russell Jackson
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Frequently Asked Questions

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User Reviews

 
Its virtues outweigh its defects
12 September 2005 | by (United States) – See all my reviews

First, what I didn't like. The acting was not really up to the Hamlet standard. Branagh was really over-the-top, doing a lot of yelling mostly. In my opinion, those actors who were not big-name celebrities generally did a better job; though I would except Billy Crystal and Robin Williams. (And Charlton Heston, too, but I wasn't sure if he was playing at being a hack.) A lot of the ambiguities in the play were clearly resolved one way in the flashbacks.

What I think speaks very much in this play's favor is that it is accessible. Shakespeare is hard to understand for the vast majority of people nowadays; many people are not even inclined to try, because of its reputation as Serious Literature and its archaic English. If they see this film they will understand clearly at least one man's interpretation of the play. They will be seeing it more as Shakespeare's audiences saw it: a play with sword fights and battles, and mighty kings and nobles, murder and incest and evil schemes and ghosts--and great art, if one cares to look for it, but in Shakespeare's day most didn't, any more than most people do now. Branagh's overacting, and his forcing of his interpretation of the story on the viewer, may detract from Shakespeare's art somewhat, but it is better that modern audiences get a piece of it, rather than nothing.

I've got to say one more thing though. Some people are complaining that "it's set in the 19th century and that wasn't Shakespeare's time". Well, in Shakespeare's time their costume and scenery was that of their own day for all of their plays. Shakespeare may have SAID it's in the days of ancient Rome or medieval Denmark or whatever, but he didn't dress his characters up like they were, he used the costumes of his own time. For the same reason his plays are full of anachronisms. For example, in King John the English and French have cannons--in Robin Hood's day. In Julius Caesar they talk of chimneys, which wouldn't be invented for another thousand years, and in Henry IV they talk about Machiavelli, who wasn't even born yet then. So I think this objection is silly--you might as well complain that the play isn't in Danish (after all they live in Denmark don't they?).


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