Based on the Starkweather-Fugate killing spree of the 1958, in which a fifteen-year-old girl and her twenty-five-year-old boyfriend slaughtered her entire family and several others in the Dakota badlands.
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's. Written by
John Brosseau <firstname.lastname@example.org>
I must say that, looking at Hamlet from the perspective of a student, Brannagh's version of Hamlet is by far the best. His dedication to stay true to the original text should be applauded. It helps the play come to life on screen, and makes it easier for people holding the text while watching, as we did while studying it, to follow and analyze the text.
One of the things I have heard criticized many times is the casting of major Hollywood names in the play. I find that this helps viewers recognize the characters easier, as opposed to having actors that all look and sound the same that aid in the confusion normally associated with Shakespeare.
Also, his flashbacks help to clear up many ambiguities in the text. Such as how far the relationship between Hamlet and Ophelia really went and why Fortinbras just happened to be at the castle at the end. All in all, not only does this version contain some brilliant performances by actors both familiar and not familiar with Shakespeare. It is presented in a way that one does not have to be an English Literature Ph.D to understand and enjoy it.
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