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The Great White Hype (1996)

R | | Comedy, Sport | 3 May 1996 (USA)
When the champ's promoter, Reverend Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »

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Cast

Cast overview, first billed only:
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Peter Prince
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Sol
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Julio Escobar
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Bambi (as Salli Richardson)
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Artemus St. John Saint
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Vivian
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Palace Guard #1
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Palace Guard #2
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Storyline

When the champ's promoter, Reverend Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The problem is that he isn't a boxer anymore and he's white. However, once Reverend Sultan convinces him to fight, he goes into heavy training, while the confident champ takes it easy, and falls out of shape. Written by P. Wong <pwong@nt.net>

Plot Summary | Add Synopsis

Taglines:

If you can't find the perfect contender....make one.

Genres:

Comedy | Sport

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »
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Details

Country:

Language:

Release Date:

3 May 1996 (USA)  »

Also Known As:

Eine K.O.mödie  »

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Box Office

Gross USA:

$7,874,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Samuel L. Jackson and Jamie Foxx also co-starred in Django Unchained (2012), which The Great White Hype (1996) Director Reginald Hudlin Co-Produced. It probably evoked a sense of déjà vu for Jackson, Foxx, and Hudlin sixteen years later. See more »

Goofs

Since the beginning of the film Roper is clearly not in the physical shape an experienced professional heavyweight boxer has to be in. See more »

Quotes

Rev. Fred Sultan: if there isn't a white heavyweight out there for you, I'm going to create you one.
James Roper: [Confused] "white heavyweight?", The words don't even go together, it's like saying "black unity"
See more »

Crazy Credits

While walking back to dressing room after fight, Conklin is followed by two little people from his entourage. See more »

Connections

Features Dolemite (1975) See more »

Soundtracks

Bring The Pain
Performed by Method Man
Written by Method Man (as Clifford Smith) and RZA (as Robert Diggs Jr.)
Produced by RZA
Method Man appears courtesy of Def-Jam Records, Inc.
by arrangement with PolyGram Film & TV Licensing
See more »

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User Reviews

 
Smart Satirical Jest !

The situation is perfect. It's one of the movies where there is nothing bad to refer to. It's about only one match and how it exposes the contradictions of this world; which's here the community of boxing. I loved how the whole characters declare something moral while achieving their hidden, damn materialistic, aims. In fact the shown scene is for America when money is god, and 99 % of the Americans are so godly! The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang – 1992). It was so good to an extent forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what Oliver Stone's surely heavier, louder and longer movie (Any Given Sunday) stretched and overload 3 years later, and in focused nice way as well. (The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again (except for Damon Wayans running after the ice cream's van of course !). Finally, do I smell a point of view in the title about how the great hype is "white" in the first place ?!


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