| Spalding Gray | ... | Himself | |
| Mike McLaughlin | ... | Himself | |
| Melissa Robertson | ... | Herself | |
| Alvin Henry | ... | Himself | |
| Alyne Hargroder | ... | Herself | |
| Buddy Carr | ... | Himself | |
| Gerry Urso | ... | Herself | |
| Chris Simms | ... | Himself | |
| Tommy Staub | ... | Himself | |
| Kirk A. Patrick Jr. | ... | Himself |
Directed by | |||
| Steven Soderbergh | |||
Writing credits | ||
| Spalding Gray | (monologue) & | |
| Renée Shafransky | (monologue) | |
| Spalding Gray | ||
Produced by | |||
| John Hardy | .... | producer | |
| Caroline Kaplan | .... | executive producer | |
| Kathleen Russo | .... | executive producer | |
| John Lawrence Ré | .... | executive producer (as John Re) | |
| Jonathan Sehring | .... | executive producer | |
Original Music by | |||
| Cliff Martinez | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Susan Littenberg | |||
Production Design by | |||
| Adele Plauche | |||
Set Decoration by | |||
| Cynthia Wigginton | |||
Makeup Department | |||
| Charley Soderbergh | .... | hair stylist | |
| Charley Soderbergh | .... | makeup artist | |
Art Department | |||
| Huey Mitchell | .... | carpenter | |
| John Patterson | .... | construction coordinator | |
| Larry Spurlock | .... | carpenter | |
Sound Department | |||
| Larry Blake | .... | sound re-recording mixer | |
| Paul Ledford | .... | sound editor | |
| Mark A. Mangini | .... | sound editor | |
| Keenan Wyatt | .... | boom operator | |
Camera and Electrical Department | |||
| Tony Brignac | .... | first assistant camera | |
| Buddy Carr | .... | second assistant camera | |
| Gilly Charbonnet | .... | grip | |
| David Jensen | .... | electrician | |
| Calvin Maehl | .... | gaffer | |
| Richard Mall | .... | key grip | |
| Chris Robertson | .... | electrician | |
| Val Zimmer | .... | grip | |
Casting Department | |||
| David Jensen | .... | interview casting | |
Other crew | |||
| Howard Behar | .... | legal services | |
| Robert Butler | .... | stand-in | |
| Billy Collins Jr. | .... | accountant | |
| Michael Charles Hill | .... | distribution and marketing coordinator | |
| Lori Jefferson | .... | production assistant | |
| Debbie Kennedy | .... | legal services | |
| Clint Maedgen | .... | stand-in | |
| Tara Martin | .... | production coordinator | |
| Tom Mustafo | .... | production assistant | |
| Adam Rosen | .... | legal services | |
| Renée Shafransky | .... | director: original production | |
Thanks | |||
| Les Bratton | .... | special thanks | |
| Francis Cagle | .... | special thanks | |
| Sonny Cranch | .... | special thanks | |
| Angela Ferrara | .... | special thanks | |
| Ed Gerkey | .... | special thanks | |
| John Krasno | .... | special thanks | |
| Mark Shivas | .... | special thanks | |
| Leo Walsh | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Like several of Spalding Gray's stage monologues "Gray's Anatomy" has been given the full feature film treatment, this time by "Sex Lies & Video" helmer Steven Soderberg. Gray's discovery of a visual malady leads him to medical and homeopathic treatment and serious consideration of the query "What is it you don't want to see?"
This 90 minute monodrama is not opened-up in the traditional sense. Rather it is supplemented by monochrome interviews with Joe and Jane Q. Publics about their particular eye problems. Within the monologue itself, Soderberg employs a variety of lighting and camera trickery to keep the action from stagnating. Mostly, it is a successful endeavor. Though, oddly, the film lacks the overall impact of Gray's "Swimming To Cambodia" or even the lesser (but simpler done) "Monster in a Box". A fine addition to the Gray library.