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Gonin 2 (1996)

 -  Action | Crime  -  29 June 1996 (Japan)
6.4
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Ratings: 6.4/10 from 301 users  
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Thrown together by chance during the robbery of a jewelry store by a Yakuza gang, five women take advantage of the situation to make off with the heist's loot, while a man hunts the same ... See full summary »

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Title: Gonin 2 (1996)

Gonin 2 (1996) on IMDb 6.4/10

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Cast

Credited cast:
Ken Ogata ...
Toyama Masamichi
Shinobu Ôtake ...
Sayuri
Kimiko Yo ...
Ran
Mai Kitajima ...
Chihiro
Yui Natsukawa ...
Saki
Yumi Nishiyama ...
Shiho
Yumi Takigawa ...
Yoko Toyama
Rest of cast listed alphabetically:
Daisuke Iijima
Reiko Kataoka
Shunsuke Matsuoka
Toshiyuki Nagashima ...
Aihara
...
Weapon Shop Owner
Susumu Terajima ...
Kado
Shingo Tsurumi ...
Yoichi
Yoshiyuki Yamaguchi
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Storyline

Thrown together by chance during the robbery of a jewelry store by a Yakuza gang, five women take advantage of the situation to make off with the heist's loot, while a man hunts the same gang for the rape and subsequent suicide of his wife. Written by Bruno Antony

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Action | Crime

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Release Date:

29 June 1996 (Japan)  »

Also Known As:

Five Women  »

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Follows The Five (1995) See more »

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User Reviews

 
Women get revenge in bloody Yakuza flick
18 April 2012 | by (Canada) – See all my reviews

This sequel to the surprise hit Gonin features a largely female cast, but like the first Gonin movie, the blood and slaughter are not gratuitous - a rare thing in Japanese cinema - but rather the inevitable result of somewhat justified anger at a flawed society. Unlike the first film, in which five unemployed men tried to rob the Yakuza out of desperate need, the motivations here are not economic. The women all have grudges related to the role of women in Japanese society and the callousness of those around them. It is the social awareness of gender roles that gives the drama its power here, and makes this movie something other than just another shoot-it-out-with-the-Yakuza thriller. The action centers on a jewelry store in the middle of a robbery, where chance throws five women together; how they respond puts them onto a downward spiral of inevitable violence. The grim tone is well counterpointed by the monochromatic visuals; everything has a dusty look to it, and the world of the film seems always to be in half darkness. Bright lights and friendly colors are for other people, just as happy, fulfilling lives are for other people.


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