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The Glimmer Man (1996)

Two cops, played by Seagal and Wayans, are forced to work together to solve a chain of mysterious killings by a killer nicknamed "The Family Man".

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Cast

Cast overview, first billed only:
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Frank Deverell
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Mr. Smith
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Donald Cunningham
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Jessica Cole
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Christopher Maynard
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Millie's Father
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Capt. Harris
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Det. Roden
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Johnny Deverell
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Smith's Bodyguard
Jesse Stock ...
Cole's Son
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Cole's Daughter (as Alexa Vega)
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Millie
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Storyline

Jack Cole is a soft spoken, mystical, new age New York cop with a checkered past. He is transferred to Los Angeles to help Los Angeles cop Jim Campbell solve a series of brutal murders in which the victims are crucified. The murders that have happened since Jack arrived in Los Angeles just don't sit right with him. When the killer, known as the "Family Man", kills Ellen DunLeavy, who happens to be Jack's ex wife and the mother of his two kids, and Ellen's husband Andrew DunLeavy, it becomes personal - especially when Jack's prints are found on Ellen's body. Jack meets with his military mentor Smith, not knowing that Smith is in cahoots with local crime boss Frank Deverell. Written by Todd Baldridge <sandib@eastky.com>

Plot Summary | Plot Synopsis

Taglines:

Two good cops. One bad situation.


Motion Picture Rating (MPAA)

Rated R for strong violence, language and some nudity | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

4 October 1996 (USA)  »

Also Known As:

Glimmer Man  »

Box Office

Budget:

$45,000,000 (estimated)

Opening Weekend:

$7,605,504 (USA) (4 October 1996)

Gross:

$20,400,913 (USA) (13 December 1996)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Steven Seagal championed Trevor Rabin as the composer of the film. Years earlier, Rabin, an avid guitar enthusiast - like Seagal, had coached and trained Seagal with his guitars. See more »

Goofs

When Cole goes to visit Smith in the Restaurant he removes a red napkin from under the bread to wipe his mouth, however when Cole leaves the table the napkin is back under the bread. See more »

Quotes

Jack Cole: You know, when you wake up in the morning and look in the mirror, I think you're probably happy. Pleased at what you see. And that disturbs me. So I'm gonna take it on as my responsibility to make sure that you never get to look in the mirror again.
Donald Cunningham: I woke up happy, I'm goin' to bed happy. 'Cause you're gonna be dead.
See more »

Connections

Spoofs Kung Fu (1972) See more »

Soundtracks

As Time Goes By
Music and Lyrics by Herman Hupfeld
See more »

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User Reviews

Top marks for effort
14 September 2003 | by (Bristol, England) – See all my reviews

Neatly crafted action thriller, with Seagal on top wrist-snapping form as a Buddhist cop from New York, with a shadowy past, teamed with Wayans' wisecracking LA cop to investigate the gruesome murders of a serial killer, known as the `Family Man'. The two leads work well together; in typical buddy cop fashion which provides the film with the comic relief it needs to give the audience a break from the serious themes involved.

The script is competently composed; trying to surprise us as best it can with several twists and turns, however, the story is so fully packed with things going on that it's easy for the audience to get lost along the way. However, that is not a problem as Seagal is on the case with his usual array of impressive martial arts and likeable personality, encased in an interesting character. To me, Seagal represents, in a way, a modern day John Wayne, always playing the same out for justice, good guy role and taking no crap from anyone along the way. He is a screen presence that can carry even the most brainless of films, but this film has both brains and brawn. Wayans does very well here too, managing to avoid the typical stereotype of the African-American cop who is simply there for laughs.

The direction is standard but competent in keeping a relaxed balance between the hectic action (entwined with the tense build-ups) and the comedic peace-time goings on. The gorier parts of the film, like the murders, are handled with skill and successfully manage to create an eerie atmosphere rather than simply a gory head-turning occasion.

The Glimmer Man is not a masterpiece by any means but it serves its purpose well as a tense action thriller. It tries hard to be more than it is, but its lack of originality is its biggest flaw but it gets top marks for trying. You can't take anything away with you afterwards, but you can enjoy yourself along the way.


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