This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
Zack Homer takes over managing the barbershop after Joe is killed for trying to rip off his "investor", Mr. Lovejoy. All Zack wants to do is run a traditional barbershop giving traditional ... See full summary »
This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work and desperate for money, she decides to take a job as a phone-sex operator. Here, unlike her previous dealings with potential employers, her (female) boss is kind, caring, and sensitive. Later, she begins to get too engrossed in her work and starts to lose touch with reality, represented by her friend and neighbor, Jimmy. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The dog that Madonna is holding in the strip club scene is her own dog. See more »
Scary Caller #30:
How can a slut be beautiful? The Mona Lisa is beautiful, the Statue of Liberty is beautiful, the Grand Canyon, the first day of spring, a new fallen snow-that's beauty, but a slut is just slutty, right?
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In the last scene, when the girl crosses the street, it reads "The End" on the Chinese Theatre marquee on the other side. See more »
Theresa Randle plays a failed African-American actress in New York City who turns to phone sex for a career change. This Spike Lee effort, which he produced and directed, from a maladroit script by Suzan-Lori Parks, opens with an excruciating scene which typifies the rest: Randle, auditioning for a movie role for a questionable filmmaker (Quentin Tarantino in a cameo), is asked to remove her blouse; she hesitates, but eventually strips under pressure. Once we get a good look at her bare breasts, Randle then has a change of heart, dresses and walks off. She's a struggling modern-day actress being exploited by the oldest con game in the annals of sleazy show business, but Lee seems to think he's showing us something new (didn't he see "Fame"?). If the sequence is supposed to be funny, the punchline is sadly missing--but, as long as we get to see the woman's breasts, I guess Lee figures he's making his point. NO STARS from ****
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