This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ...
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Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work and desperate for money, she decides to take a job as a phone-sex operator. Here, unlike her previous dealings with potential employers, her (female) boss is kind, caring, and sensitive. Later, she begins to get too engrossed in her work and starts to lose touch with reality, represented by her friend and neighbor, Jimmy. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The monologue that Lovely reads and the camera angles in the scene where Lovely and Jimmy are in his apartment talking about acting are taken from She's Gotta Have It (1986), also directed by Spike Lee. See more »
I'm going to mount you Snoopy Doggy Dogg style, housewife.
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In the last scene, when the girl crosses the street, it reads "The End" on the Chinese Theatre marquee on the other side. See more »
Girl 6 is not a laugh-out-loud comedy so much as it is a satire of the nature of the struggle of the typical New York City actress with big dreams. She can hardly get a job and eventually resorts to using her talents to the most basic and competently lucrative degree as a phone sex girl.
The film held my interest to a great degree, but only because of the visceral experience of watching it. John Corso and Malik Hassan Sayeed's cinematography, which ranges several different sorts of film stock, and Lee's consistent talent with the placement of music combined with the film's fascinating look is beautiful. There are several feelings that I felt that took me on a ride, but they were empty feelings, fleeting ominous moods, energy. The story doesn't fit. Thus, the movie is only stylistically moving. If the script had been directed by anyone else, it likely wouldn't be worth it at all.
The substance of the film is basically nonexistent. The satire is not cohesive because there is no real point the film makes. This is certainly one of Spike Lee's worst films, but it certainly has a beauty lathered on top.
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