This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ...
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Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work and desperate for money, she decides to take a job as a phone-sex operator. Here, unlike her previous dealings with potential employers, her (female) boss is kind, caring, and sensitive. Later, she begins to get too engrossed in her work and starts to lose touch with reality, represented by her friend and neighbor, Jimmy. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The monologue that Lovely reads and the camera angles in the scene where Lovely and Jimmy are in his apartment talking about acting are taken from She's Gotta Have It (1986), also directed by Spike Lee. See more »
What is wrong with a man wanting his wife and his wife's best friend to lick his dick at the same time?
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In the last scene, when the girl crosses the street, it reads "The End" on the Chinese Theatre marquee on the other side. See more »
Produced, Arranged, and Composed by Prince
Performed by Prince & The Revolution
Used by permission of Controversy Music/WB Music Corp. (ASCAP)
Courtesy of Warner Bros. Records/Paisley Park
By Arrangement with Warner Special Products See more »
underrated by most critics, but still flawed and spotty/enjoyable sex-talk farce
Girl 6 could have been helped from a little trimming, this is the first and probably foremost criticism. At 106 minutes, which should be average length for any movie to aspire to have, it's a few minutes too long and although one might lose the visual metaphor of the drop down the elevator, whatever it really means, the whole sub-plot involving the little girl falling down and breaking her head is unnecessary throughout and brings the film to a halt every time the 'newstory' segment pops up. And every so often, though not frequently, a technical touch or a performance might be a little too over the top, too flamboyant even for the Spike Lee Joint standard.
But aside from this, Girl 6 is fun and enjoyable "fluff" for Spike Lee, which means that it's still risqué and poignant and sharp-tongued (more than usual here and in more ways than one, some pun intended), and loaded with hit or miss R&B songs (this time by Prince, not quite as cool as Batman tracks but close). It's about an aspiring actress (Theresa Randle) who hits roadblocks in her career when she gets told to take her top off for a "TOP Hollywood DIRECTOR" called "Q.T.", and played not too embarrassingly by the man himself. After some crappy gigs she goes for something that involves sex but only with the vocal chords, and indeed involves a kind of on-the-spot improvisation: phone-sex operator.
From here the plot kind of takes off, however episodically and sometimes very loose in structure (there's some connection with one phone sex guy, Bob, whom Girl 6 crushes on and gets practically dumped, and a "Scary Caller" who treats her like dirt), and mostly involves us seeing what the person on the other line might look like in grainy video, and her own fantasies of movie-stardom from her favorites. This latter part provided the funniest and most visually creative scenes of the picture for me, particularly when Lee himself becomes Mr. Jefferson from the Jeffersons and when Girl 6 becomes Foxy Brown. While some of the visual flourishes we all like from a Lee Joint are present, and maybe too typical, it's fun to see Lee work through talky material, and all the actors have fun with their roles; especially Randle, who gives it her all in a seemingly breakthrough serio-comic turn and who gets to dress up and go for broke in many moments.
Bottom line, it's not as bad as you've heard or seen it rated on this site, but it's also somewhat of a trifle in the Lee cannon, albeit within its own limitations almost (though not quite) the level of romantic-comedy we might expect from the director of She's Gotta Have It. Hey, it's better than She Hate Me, at the least, and somewhat less incoherent.
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