This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
John Leguizamo's semi-falsified, one-man stand-up performance as...himself. This is his autobiographical story, about his life growing up, and his journey to try to be accepted by his ... See full summary »
Zack Homer takes over managing the barbershop after Joe is killed for trying to rip off his "investor", Mr. Lovejoy. All Zack wants to do is run a traditional barbershop giving traditional ... See full summary »
This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work and desperate for money, she decides to take a job as a phone-sex operator. Here, unlike her previous dealings with potential employers, her (female) boss is kind, caring, and sensitive. Later, she begins to get too engrossed in her work and starts to lose touch with reality, represented by her friend and neighbor, Jimmy. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The monologue that Lovely reads and the camera angles in the scene where Lovely and Jimmy are in his apartment talking about acting are taken from She's Gotta Have It (1986), also directed by Spike Lee. See more »
You should get back with your ex, and let him rob you a bank.
See more »
In the last scene, when the girl crosses the street, it reads "The End" on the Chinese Theatre marquee on the other side. See more »
Sometimes It Snows In April
Produced and Arranged by Prince
Composed by Prince, Wendy Melvoin, and Lisa Coleman
Performed by Prince & The Revolution
Used by permission of Controversy Music/WB Music Corp. (ASCAP)
Courtesy of Warner Bros. Records/Paisley Park
By Arrangement with Warner Special Products See more »
Theresa Randle plays a failed African-American actress in New York City who turns to phone sex for a career change. This Spike Lee effort, which he produced and directed, from a maladroit script by Suzan-Lori Parks, opens with an excruciating scene which typifies the rest: Randle, auditioning for a movie role for a questionable filmmaker (Quentin Tarantino in a cameo), is asked to remove her blouse; she hesitates, but eventually strips under pressure. Once we get a good look at her bare breasts, Randle then has a change of heart, dresses and walks off. She's a struggling modern-day actress being exploited by the oldest con game in the annals of sleazy show business, but Lee seems to think he's showing us something new (didn't he see "Fame"?). If the sequence is supposed to be funny, the punchline is sadly missing--but, as long as we get to see the woman's breasts, I guess Lee figures he's making his point. NO STARS from ****
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