Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits ... See full summary »
Ghosts of Mississippi is a drama covering the final trial of Byron De La Beckwith (Woods), the assassin of the 1960s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in hung juries. The movie then covers District Attorney, Bobby De Laughter's (Baldwin) transformation and alliance with Myrlie Evers (Goldberg), the widow of Medgar Evers, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story. Written by
Joel Schesser <email@example.com>
Sentenced to life imprisonment for the murder of Medgar Evers, Byron De La Beckwith died at the University of Mississippi Medical Center in 2001 in Jackson, Mississippi, having been transported there from Central Mississippi Correctional Center, aged 80. He had suffered from heart disease, high blood pressure and other ailments. See more »
When DeLaughter is brushing his son's hair in the bathroom, the child actor looks off-camera (either at his parent, the director, or a cue card). See more »
[Quoting Medgar Evers]
I don't know if I'm going to heaven or to hell, but I'm going from Jackson.
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I've seen this movie several times on the pay channels (the joys of modern television!). Overall the film is pretty good, and doesn't seem to take great license with history, which is refreshing. My only serious beef about this movie is the same as with Mississippi Burning and other films about the civil-rights struggle: Why do all of these movies insist on providing a white male central character, out to do good for the oppressed black people? Why not do this movie from the POV of Evers' widow, or brother? Because the (white male) power structure in Hollywood feels that audiences won't relate to stories without having a WASP in the middle of the action. This is not to minimize Bobby DeLaughter's role in bringing Byron de la Beckwith to justice; it's just to say that DeLaughter came along very late in the overall history of this case.
So, as to be expected, we're shown that DeLaughter braves ostracism, family conflict, and a death threat (probably a lot of them in real life). All very true, but we lose the fact that the Evers family went through all of this and more in 30 years of keeping the flame alive.
There are some good performances in here, especially James Woods, who had to be having a blast playing de la Beckwith, a mental midget and virulent racist in real life too. Baldwin is okay as DeLaughter but as bland as he normally is, even while affecting the Delta accent. Whoopi Goldberg is very good as the contemporary Myrlie Evers Williams, but ridiculous as the young widow in the flashback sequences. She's obviously too old, and it leaves you wondering if they were just too cheap to pay another actress or if Goldberg's ego is so large that she wouldn't allow it. The actor who played Evers' brother is so outstanding in such a small amount of screen time, you have to wonder why they didn't do more with him.
It's not a bad movie by any stretch, and it does give us a chance to see a little of what Medgar Evers was all about. I only wish that the film had been more about Medgar and Myrlie and much less about DeLaughter. As one other reviewer commented, this feels more like a made-for-TV movie than a theatrical release.
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